Image
Complete Citation:
Jensen, Jørgen I. “Charles Ives—En Musikalsk Modernist.” Dansk Musik Tidsskrift (1969): 13--19.
Bibliography
Genres
Jensen, Jørgen I.
Year: 1969
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Johnson, Russell I.
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Johnson, Russell, I.
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Josephson, Nors S.
Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Keller, James M.
Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.Notes:
This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kolodin, Irving
Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kostelanetz, Richard
Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kramer, Jonathan D.
Year: 1996
Complete Citation:
Kramer, Jonathan D. “Postmodern Concepts of Musical Time.” Indiana Theory Review 17, no. 2 (1996): 21-61.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kramer, Jonathan Donald
Year: 2001
Complete Citation:
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.Notes:
Regarding “Putnam's Camp.” Includes musi-cal examples, comments, and tables.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Krull, Kathleen and Kathryn Hewitt
Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kühn, Clemens
Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kunze, Stefan
Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Lambert, J. Philip
Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Levin, Monroe
Year: 1992
Complete Citation:
Levin, Monroe. “The Years 1900-1929: A Rugged Genius and a Profusion of Pop: Finding a New Voice.” In Clues to American Music, 20-21. Washington D.C.: Starrhill Press, 1992.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Losh, Seibert
Year: 1979
Complete Citation:
Losh, Seibert. “Ivesiana: Department of Quarter-Tones and Sex.” Newsletter - Institute for Studies in American Music 9, no. 2 (Spring 1980): 8.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Lucier, Alvin
Year: 2012
Complete Citation:
Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles