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Bibliography

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Steiner, George

Year: 1984
Complete Citation:
Steiner, George. “Das totale Fragment.” In Fragment und Totalität, edited by L. Dällenbach and C.L. Hart Nibbrig, 18-29. Frankfurt am Main, Germany: Suhrkamp Verlag, 1984.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Taruskin, Richard

Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Taylor, Davidson

Year: 1938
Complete Citation:
Taylor, Davidson. “Why Not Try the Air?” Modern Music 15 (January-February, 1938): 87.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Teachout, Terry

Year: 1997
Complete Citation:
Teachout, Terry. “The Anti-Modern Modernist.” Commentary 103/5 (May 1997): 55-59.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Thompson, Don

Year: 1970
Complete Citation:
Thompson, Don. “Universe in One Place: A Study of Charles Ives.” In The Yearbook of Discovery, 1970: The Best Creative Work From the Colleges of the United States and Canada, edited by J. Donald Adams, Whit Burnett, and Hallie Burnett. New York, NY: Four Winds Press, 1970.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Tibbe, Monika

Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Toncitch, Voya

Year: 1973
Complete Citation:
Toncitch, Voya. “Dodecaphonie et systemes de 24 et 31 tons.” Schweitzerische Musikzeitung Revue musicale suisse 113/5 (September-October 1973): 274-278.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Treider, Leo

Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.
Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses

Wilder, Robert D.

Year: 1969
Complete Citation:
Wilder, Robert D. Twentieth--Century Music, 95-98. Brown Music Horizons Series. Dubuque, IA: Wm. C. Brown, 1969.
Notes:

Includes other passing refer-ences.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Wilson, Richard

Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Wood, James

Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.
Notes:

Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Zierolf, Robert

Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses

no author listed

Year: 1934
Complete Citation:
“Leader of Modem School.” Duluth News Tribune. August 12, 1934, 2.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1936
Complete Citation:
“Ives was a Path Breaker.” In 100 Years of Musical Progress in America. October 12, 1936. New York, NY: French Institute.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.
Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-Tone User.” The New York Times, December 1, 1962, 16.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1965
Complete Citation:
“The Right ‘Wrong’ Notes of Charles E. Ives.” House Beautiful (Janu-ary 1965) 108/1: 116-117, 124--125.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1968
Complete Citation:
“Which way contemporary music?” Cornell University Music Review 11 (1968): 3-13.
Source: Journal
Reprints:

“Which way contemporary music?” <i>Composer</i> (Spring 1982): 6-12.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1974
Complete Citation:
“Ives the Innovator.” Time 104/19, November 4, 1974, 85, 87, 89-90.
Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles