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Bibliography

Genres

Starr, Larry

Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Taruskin, Richard

Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Tibbe, Monika

Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Tick, Judith

Year: 1997
Complete Citation:
Tick, Judith. “Charles Ives and the Politics of Direct Democracy.” In Ives Studies, edited by Philip Lambert, 133-162. Cambridge, UK: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Treider, Leo

Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.
Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses

Tucker, Mark

Complete Citation:
Tucker, Mark. “Of Men and Mountains: Ives in the Adirondacks.” In Ives and His World, edited by J. Peter Burkholder, 161-198. Princeton, NJ: Princeton University Press, 1996.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Velten, Klaus

Year: 1981
Complete Citation:
Velten, Klaus. “Der Künstler und die Natur. Ein Interpretationsbeitrag zum Liebschaften von Charles Ives.” Musik und Bildung 13 (1981): 544-546.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1981
Complete Citation:
Velten, Klaus. “Der Kunstler und die Natur-ein Interpretationsbeitrag zum Liebschaffen von Charles Ives.” Musik und Bildung: Zeitschrift 13 (September 1981): 544-546.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Von Glahn [Cooney], Denise

Year: 1996
Complete Citation:
Von Glahn [Cooney], Denise. “Narration and Landscape.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 33-37. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Von Glahn, Denise

Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys and Indians: Aspects of the Other Side of Pioneering.” American Music 19/3 (Fall 2001): 291-314.
Notes:

De-tailed discussion of two songs: The Indians and Charlie Rutlage.

Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 2001
Complete Citation:
Von Glahn, Denise. “Charles Ives, Cowboys, and Indians: Aspects of the ‘Other Side of Pioneering.’” American Music, vol. 19, no. 3 (2001): 291-314.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Watkins, Glenn

Year: 2003
Complete Citation:
Watkins, Glenn. Proof through the night: music and the great war. Berkeley, CA: University of California Press, 2003.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Weisberger, Bernard A.

Year: 1958
Complete Citation:
Weisberger, Bernard A. They Gathered at the River: The Story of the Great Revivalists and Their Impact Upon Religion in America, 19. Boston, MA: Little, Brown and Co., 1958.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Wilshire, Bruce W.

Year: 2016
Complete Citation:
Wilshire, Bruce W. “Music of Science, Thought, and the Body.” In The Much-at-Once: Music, Science, Ecstasy, the Body, 167-196. New York, NY: Fordham University, 2016.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Wood, James

Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.
Notes:

Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Zierolf, Robert

Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses

no author listed

Year: 1933
Complete Citation:
“The Class Spirit in Modern Music.” The Modern Monthly VII, 10 (November 1933): 593-598.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1933
Complete Citation:
“Social Influences in Modern Music.” The Modern Monthly VII, 8 (September 1933): 472-479.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.
Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 1964
Complete Citation:
“Music Beyond Sound.” The Guardian, January 23, 1964, 8A.
Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions