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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Crawford, Richard

Year: 2005
Complete Citation:
Crawford, Richard. “To stretch our ears”: the music of Charles Ives. In America’s musical life: a history. New York, NY: W.W. Norton, 2005.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Crunden, Robert M.

Year: 1994
Complete Citation:
Crunden, Robert M. A brief history of American culture. New York, NY: Paragon House, 1994.
Source: Book
VI. Topical Studies
L. Ives and America

Danner, Gregory

Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Danuser, Hermann

Year: 1987
Complete Citation:
Danuser, Hermann. “Auf der Suche nach einer nationalen Musikasthetik.” In Amenkanische Musik seit Charles Ives: Interpretation, Quellentexte Komponistenmonographien, 51-59. Lilienthal, Germany: Laaber-Verlag, 1987.
Source: Book
VI. Topical Studies
L. Ives and America

Debruyn, Randall Keith

Year: 1975
Complete Citation:
Debruyn, Randall Keith. “Contrapuntal Structure in Contemporary Tonal Music: A Preliminary Study of Tonality in the 20th Century.” D.M.A. dis-s., University of Illinois, 1975.
Source: D.M.A. Dis-sertation
VI. Topical Studies
G. Music Theory Analyses

Deeb, Ellen Clark

Year: 1977
Complete Citation:
Deeb, Ellen Clark. Famous American composers: the story of American music, from folk to jazz. Milwaukee, WI: Ideals Publishing Corporation, 1977.
Source: Book
VI. Topical Studies
L. Ives and America

Denave, Laurent

Year: 2012
Complete Citation:
Denave, Laurent. Un siècle de création musicale aux États-Unis Histoire sociale des productions les plus originales du monde musical américain, de Charles Ives au minimalisme (1890-1990). Geneva, Switzerland: Éditions Contrechamps, 2012.
Source: Book
VI. Topical Studies
L. Ives and America

Dickinson, Peter

Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses

Dobos, Lora Gingerich

Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Notes:

Uses Sonata No. 4 for violin and piano for her example.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Donner, Gregory

Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Donohue, John and Michael Petersen

Year: 1974
Complete Citation:
Donohue, John and Michael Petersen. “Connecticut's Music Man: Charles Ives.” The Hartford Courant Magazine, October 20, 1974, 2H.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Downes, Olin

Year: 1934
Complete Citation:
Downes, Olin. “A Nation’s Musical Frontiers.” The New York Times, June 3, 1934, sec. 9, 5.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Drew, James

Year: 1968
Complete Citation:
Drew, James. “Information, Space and a New Time-Dialectic.” Journal of Music Theory 12/1 (Spring 1968): 86-103.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

DuPree, Mary Herron

Year: 1983
Complete Citation:
DuPree, Mary Herron. “The Failure of American Music: The Critical View from the 1920s.” Journal of Musicology 2 (Summer 1983): 305--315.
VI. Topical Studies
L. Ives and America

Edwards, Arthur C. and W. Thomas Marrocco

Year: 1968
Complete Citation:
Edwards, Arthur C. and W. Thomas Marrocco. Music in the United States, 123--124, 157. Dubuque, IA: Wm. C. Brown Publishers, 1968.
Source: Book
VI. Topical Studies
L. Ives and America

Eichler, Jeremy

Year: 2004
Complete Citation:
Eichler, Jeremy. “The American Canon’s Unabashed Patriot.” The New York Times. Janu-ary 28, 2004.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Ewen, David

Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.
Notes:

Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”

Source: Book
VI. Topical Studies
L. Ives and America

Farwell, Arthur

Year: 1935
Complete Citation:
Farwell, Arthur. “Pioneering for American Music.” Modern Music 12 (March-April 1935): 116-122.
Source: Journal
VI. Topical Studies
L. Ives and America

Faucett, Bill F. (Compiled, prepared, and introduced by)

Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.
Notes:

Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.

Source: Book
VI. Topical Studies
L. Ives and America

Ferris, William R. and Mary L. Hart

Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America