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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Taruskin, Richard

Year: 1975
Complete Citation:
Taruskin, Richard. “Letter in reply to Hans G. Helms’ ‘Ives—Ideal American or Social Critic?’” Current Musicology, no. 20 (1975): 33-40.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses

Thurmaier, David

Year: 2004
Complete Citation:
Thurmaier, David. “A Connecticut Yankee Fifty Years Later.” Phi Kappa Phi Forum (September 22).
Notes:

<a target="_blank" href="http://www.phikappaphi.org/web/Pub">www.phikappaphi.org/web/Pub-licatio…. An online article.</a>

Source: Magazine
VI. Topical Studies
L. Ives and America

Tibbe, Monika

Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Tippett, Michael

Year: 1969
Complete Citation:
Tippett, Michael. “The American Tradition.” American Musical Digest 1 (October 1969): 21.
Notes:

Abridged from The Listener (England), June 5, 1969.

Source: Journal
VI. Topical Studies
L. Ives and America

Tischler, Barbara L.

Year: 1986
Complete Citation:
Tischler, Barbara L. An American Music: The Search for an American Musical Identity, 21, 38- 41,115. New York, NY: Oxford University Press, 1986.
Notes:

Discusses Symphony No. 3, Essays Before a Sonata, 114 Songs, and Majority.

Source: Book
VI. Topical Studies
L. Ives and America

Tommasini, Anthony

Year: 2004
Complete Citation:
Tommasini, Anthony. “What’s So Gay about American Music? [Comments]” The New York Times. October 24, 2004, sec. 2, 27.
Source: Newspaper
VI. Topical Studies
L. Ives and America

Treider, Leo

Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.
Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses

Vinay, Gianfranco

Year: 1974
Complete Citation:
Vinay, Gianfranco. L’America musicale di Charles Ives. Turin, Italy: Giulio Einaudi, 1974.
Source: Book
VI. Topical Studies
L. Ives and America

Warren-Findley, Janelle

Year: 1964
Complete Citation:
Warren--Findley, Janelle. “American Studies and American Fine-Art Music.” American Studies 19/2- (Fall 1978): 85--87.
Source: Journal
VI. Topical Studies
L. Ives and America

Wilson, Peter Niklas

Year: 2001
Complete Citation:
Wilson, Peter Niklas. “«Sound Come into Its Own»: Vond Der Selbstfindung Amerikanischer Musik.” Neue Zeitschrift Für Musik 162/5 (2001): 12-17.
Source: Magazine
VI. Topical Studies
L. Ives and America

Wood, James

Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.
Notes:

Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Wooldridge, David

Year: 1976
Complete Citation:
Wooldridge, David. “Charles Ives and the American National Character: ‘Musical Spirit of ’76.’” In South Florida's Historic Ives Festival 1974-1976, edited by F. Warren O’Reilly, 27--29. Coral Gables, FL: University of Miami at Coral Gables, 1976.
Source: Chapter in Book
VI. Topical Studies
L. Ives and America

Zierolf, Robert

Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses

Zuck, Barbara A.

Year: 1980
Complete Citation:
Zuck, Barbara A. A History of Musical Americanism. Studies in Musicology, No. 19.
Source: Book
VI. Topical Studies
L. Ives and America

no author listed

Year: 1940
Complete Citation:
“Have We an American Music? An Examination of Materials.” Musical America 60/3 (February 10, 1940): 22, 271-272.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1951
Complete Citation:
“Yankee Music.” Times LVII/X. March 5, 1951: 72-74.
Source: Journal
VI. Topical Studies
L. Ives and America
Year: 1960
Complete Citation:
“Radical from Connecticut.” Time 76, no. 8 (August 22, 1960): 36.
Source: Magazine
VI. Topical Studies
L. Ives and America
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.
Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 1966
Complete Citation:
“Yankee Music Man.” MD Medical Magazine (May 1966) 10/5: 301-308.
Notes:

A feature article on Ives, drawn from several sources, in a regular section, “Medicine in the Arts.”

Source: Magazine
VI. Topical Studies
L. Ives and America