Image
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Bibliography
Genres
Searle, Humphrey
Year: 1954
Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Taruskin, Richard
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Tibbe, Monika
Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Treybig, Joel
Year: 2001
Complete Citation:
Treybig, Joel. “The Life of George Edward Ives: Cornetist and Bandmaster.” ITG Journal: The International Trumpet Guild, Vol. 25, No. 3 (2001): 33-37.Source: Journal
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Weschler, Lawrence
Year: 1986
Complete Citation:
Weschler, Lawrence. “Profiles: Boy Wonder—I.” New Yorker 62/39 (Novem-ber 17, 1986): 54-56, 61, 64-65, 68-70, 72-73, 76-78, 87-89, 91-93. “Boy Wonder—II.” New Yorker (November 24) 62/40: 52-54, 57- 58, 60, 63-64, 67-74.Notes:
Nicolas Slonimsky is the subject of this pro-file. Includes his reminiscences of his early, pioneering conducting (November 17: 88-89, 91-92) of Ives’s compositions (esp. Orchestral Set No. 1: Three Places in New England). Uses quotations from Slo-nimsky’s autobiography.
Source: Magazine
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element inIves’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
no author listed
Year: 1874
Complete Citation:
“City News [Announcement of Charles Ives’s birth].” Danbury Evening News (October 28, 1874): 4.Notes:
“Ives’ Brass Band has included among its soloists an infantile performer on the <i>vox humana.</i>”
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1888
Complete Citation:
“Charles Ives, a young son of George E. Ives…” Danbury Evening News, February 9, 1888.Notes:
Charles Ives, a young son of George E. Ives, is to take charge of the organ of the West street church, and will enter upon the duties of organist tomorrow. Charlie has inher-ited a generous supply of his father's musical genius.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1888
Complete Citation:
“Home News and Gossip.” Danbury Evening News, October 21, 1888.Notes:
Charles Ives presided at the organ at the Baptist church yesterday. He is the youngest organist in the state.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1939
Complete Citation:
“Danbury Fifty Years Ago.” Danbury Evening News. February 9, 1939, 3.Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1993
Complete Citation:
“Local Boy Makes Polyrhythms.” Village Voice 38/34, August 24, 1993, 85.Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood
N. Ives’ Childhood
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2010
Complete Citation:
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses