Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes: Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
no author listed
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 1969
Complete Citation:
“Memorial Service Set for Composer's Widow.” The Hartford Courant, April 6, 1969, 38A.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 1969
Complete Citation:
“Julian S. Myrick Dead at 88; Known as ‘Mr. Life Insurance’: Helped make Tennis a Major Sport -- Business Partner of Charles Ives, Composer.” The New York Times, January 9, 1969, 31.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 1969
Complete Citation:
“Mrs. Charles Ives, Composer’s Widow.” The New York Times, April 5, 1969, 27.Source: Newspaper
VI. Topical Studies
P. Ives Collaborators and Colleagues
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2010
Complete Citation:
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses