decorative banner image

Bibliography

Genres

Show all
I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Blum, Stephen

Year: 1985
Complete Citation:
Blum, Stephen. “Charles Ives and American Ethnomusicology.” Paper presented at Joint annual meeting of AMS and SEM. Vancouver, Canada, 1985.
Source: Conference paper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bolcom, William

Year: 1976
Complete Citation:
Bolcom, William. “The Old Curmudgeon’s Corner.” Musical Newsletter 4/4 (1976): 20-21.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Borum, Poul

Year: 1996
Complete Citation:
Borum, Poul. “Musikkens Borum.” Dansk Musik Tidsskrift, Vol. 70, No. 5 (1996): 160-166.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Bowen, Meirion

Year: 1979
Complete Citation:
Bowen, Meirion. “On the long misunderstanding of Charles Ives.” The Guardian, April 17, 1979, 8.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship

Brady, Tim

Year: 1995
Complete Citation:
Brady, Tim. “Death of a Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.
Notes:

Closes with a quotation from the “Epilogue” of Essays Before a Sonata.

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1995
Complete Citation:
Brady, Tim. “Death of the Masterpiece: The Changing Social Context for Creative Music.” Musicworks: The Journal of Sound Exploration 61 (Spring 1995): 29-33.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Brooks, William, et. al.

Year: 2019
Complete Citation:
Brooks, William, et al. “Postlude: Not an End.” In Over Here, Over There: Transatlantic Conversations on the Music of World War I, edited by William Brooks et. al., 241-244. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Brown, Earle and Vivian Perlis, Co-Chairs

Year: 1977
Complete Citation:
Brown, Earle and Vivian Perlis, Panel Co-Chairs. “Ives Viewed From Abroad.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 45-63. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Burger, Peter

Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.
Source: Book
Reprints:

Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.

VI. Topical Studies
G. Music Theory Analyses

Burkholder, J. Peter

Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Year: 1997
Complete Citation:
Burkholder, J. Peter. “Ives Today.” Ives Studies, 263-290. Edited by Philip Lambert. Cambridge, United Kingdom: Cambridge University Press, 1997.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Burkholder, J. Peter, H. Wiley Hitchcock, Thomas Owens, and Gayle Sherwood, panelists

Complete Citation:
Burkholder, J. Peter, H. Wiley Hitchcock, Thomas Owens, and Gayle Sherwood, panelists. “Perspectives on Charles Ives.” Panel presented at Ives the Commuter. Bloomfield Presbyterian Church, Bloomfield, NJ, February 1999.
VI. Topical Studies
S. Reception Studies and Related Scholarship

Cahill, Greg

Year: 2004
Complete Citation:
Cahill, Greg. “Editor’s Note.” Strings, Vol. 19, No. 3 (2004): 8.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Carter, Elliot

Year: 1944
Complete Citation:
Carter, Elliot. “Ives Today, His Vision and Challenge.” Modern Music 21/3 (May-June 1944).
Source: Journal
Reprints:

Carter, Elliot. “Ives Today, His Vision and Challenge.” In <i>Elliott Carter: collected essays and lectures, 1937-1995</i>, edited by Jonathan W. Bernard.

VI. Topical Studies
S. Reception Studies and Related Scholarship

Chase, Gilbert

Year: 1974
Complete Citation:
Chase, Gilbert. "Charles Ives and American Culture." High Fidelity/Musical America 24/10, October 1974, 17-19.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Christiansen, Erik

Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.
Notes:

<i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.

Source: Book
VI. Topical Studies
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.
Source: Book
VI. Topical Studies
G. Music Theory Analyses

Clarkson, Austin

Year: 1974
Complete Citation:
Clarkson, Austin. “Charles Ives Here-and-Now-and-After.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 241-243. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship