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Complete Citation:
Pleasants, Henry. Serious Music: And All That Jazz: An Adventure in Music Criticism. New York, NY: Simon and Schuster, 1969.
Bibliography
Genres
Pleasants, Henry
Year: 1969
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Potter, Hugh
Year: 1970
Complete Citation:
Potter, Hugh. “Paul Rosenfeld: Criticism and Prophesy.” American Quarterly 22/1 (Spring 1970): 82-94.Notes:
Quotes from Rosenfeld's review of the Concord Sonata. Adds that “Rosenfeld's great enthusiasm for the music of Charles Ives was partly attributed to Ives’ interest in American subject matter and his use of native themes.”
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rabinowitz, Peter J.
Year: 1981
Complete Citation:
Rabinowitz, Peter J. “Fictional Music: Toward a Theory of Listening.” In Theories of Reading, Looking, and Listening, edited by Harry R. Garvin, 193-208. Bucknell Review, vol. 26, no. 1. Lewisburg, PA: Bucknell University Press, 1981.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rasmussen, Karl Aage
Year: 1977
Complete Citation:
Rasmussen, Karl Aage. “Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 251-252. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rathert, Wolfgang
Year: 2004
Complete Citation:
Rathert, Wolfgang. “Ives’ Vermächtnis.” In Musik-Konzepte 123 — Charles Ives, edited by Ulrich Tadday, 5-24. Munich, Germany: Edition Text und Kritik, 2004.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Reinhard, Johnny
Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.Notes:
Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.
Source: Online article
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Rice, Philip
Year: Year unlisted
Source: Online article
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rijavec, Andre J
Year: 1974
Complete Citation:
Rijavec, Andre J, “Charles Ives in Yugoslavia.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 252-254. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rijavec, Andre J.
Year: 1977
Complete Citation:
Rijavec, Andre J., “Charles Ives in Yugoslavia.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 252-254. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rogan, William J.
Year: 1994
Complete Citation:
Rogan, William J. “Vorkämpfer einer neuen Schule? Charles Ives zum vierzigsten Todestag.” Das Orchester 42/11 (November 1994): 2-5.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Roos, James
Year: 1988
Complete Citation:
Roos, James. “A Fresh, Tough Look at a Legendary Composer.” Miami Herald 13. November 1988.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Rosenfeld, Paul
Year: 1927
Complete Citation:
Rosenfeld, Paul. “Musical Chronicle.” Dial 82 (April 1927): 358.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Sakae, Yoneda
Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Saminsky, Lazare
Year: 1932
Complete Citation:
Saminsky, Lazare. “Europe and America in Music Today.” Modern Music (January-February 1932): 93--95.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Scharnhorst, Gary
Year: 1988
Complete Citation:
Scharnhorst, Gary. “From Soldier to Saint: Robert Gould Shaw and the Rhetoric of Racial Justice.” Civil War History 34 (December 1988): 321.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Schiff, David
Year: 2009
Complete Citation:
Schiff, David. “Ives’s Ears.” Nation 288, no. 1 (January 5, 2009): 30--33.Source: Journal
V. General Music Studies
S. Reception Studies and Related Scholarship
S. Reception Studies and Related Scholarship
Schoffman, Nachum
Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schuller, Gunther
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes:
Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Scott, Ann Besser
Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses