Téllez, José Luis
Year: 2004
Complete Citation:
Téllez, José Luis. “Charles Ives: Las Paradojas del Profeta.” Scherzo: Revista de Música, Vol. 19 (2004): 110-115.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Thomson, Virgil
Year: 1971
Complete Citation:
Thomson, Virgil. “The Ives Case.” New York Review of Books 14, no. 10, May 21, 1970, 9--11.Source: Magazine
Reprints: Thomson, Virgil. “The Ives Case.” In <i>American Music Since 1910</i>, 22-30. New York: Holt, Rinehart and Winston, 1971. * Thomson, Virgil. “The Ives Case.” <i>A Virgil Thomson Reader</i>, 460-67. Boston: Houghton Mifflin, 1981. * Thomson, Virgil. “The Ives Case.” In <i>Virgil Thomson: The State of Music & Other Writings</i>, edited by Tim Page. New York, NY: Library of America, 2016.
VI. Topical Studies
S. Reception Studies and Related Scholarship
Tibbe, Monika
Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Tick, Judith
Year: 1993
Complete Citation:
Tick, Judith. 1993. “Charles Ives and Gender Ideology.” In Musicology and Difference: Gender and Sexuality in Music Scholarship, edited by Ruth Solie, 125--147. Berkeley, CA: University of California Press.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
Usmanbas, Ilhan
Year: 1977
Complete Citation:
Usmanbas, Ilhan. “Random-and Provocative Thoughts on Ives.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchock and Vivan Perlis, 254-256. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Vinay, Gianfranco
Year: 1974
Complete Citation:
Vinay, Gianfranco. “Charles Ives e i musicisti europei: anticipazioni e dipendenze.” Nuova Rivista Musicale Italiana 7 (1973): 417-429.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Von Glahn, Denise
Year: 2001
Complete Citation:
Von Glahn, Denise. “Renewing Immortality: The Musical Monument of Charles Ives.” In Hope and Glory: Essays on the Legacy of the Fifty- Fourth Massachusetts Regiment, edited by Martin H. Blatt, Thomas J. Brown, and Donald Yacovone, 191--201. Amherst, MA: University of Massachusetts Press in Association with the Massachusetts Historical Society, 2001.Notes: In re: "Colonel Robert Shaw and His Colored Regiment" from Orchestral Set No. 1: Three Places In New England.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
von Rhein, John
Year: 1999
Complete Citation:
von Rhein, John. “Millennial Masterworks.” Chicago Tribune [Arts & Entertainment] (July 25, 1999): 5.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Wallner, Bo
Year: 1968
Complete Citation:
Wallner, Bo. Var tids musik i Norden: Fran 20--Tal Till 60--Tal, 252, 255, 260. Stock-holm, Sweden: Nordiska Musikforlaget, 1968.Notes: Otto Henrik Donner quoted: "I Charles Ives har jag upplevten tonsdattare som inte laste sig vid nagon skenbar logik eller nagot system." Also mentions Donner’s Symphonie (I'Hommage a Ives) of 1964 {E080}.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship
Weiss, Adolph
Year: 1931
Complete Citation:
Weiss, Adolph. “Letter to the Editor.” The New York Times. July 26, 1931, sec. 8, 7.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Whitesell, Lloyd
Year: 1994
Complete Citation:
Whitesell, Lloyd. “Reckless Form, Uncertain Audiences: Responding to Ives.” American Music 12.3 (Autumn 1994): 304-319.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes: Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Zaher, Noel
Year: 1990
Complete Citation:
Zaher, Noel. “Letter to the editor.” Perspectives of New Music 28, no.2 (Summer 1990): 331--332.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Zahler, Noel
Year: 1990
Complete Citation:
Zahler, Noel. “Correspondence.” Perspectives of New Music 28/2 (Summer 1990): 331-332.Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
Zijlstra, Miep
Year: 1969
Complete Citation:
Zijlstra, Miep. “Besprekingen en Berichter.” Mens en Melodie 24, no. 11, November 1969, 349.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
no author listed
Year: 1955
Complete Citation:
“The Stuff of Success.” Newsweek 45 (January 17, 1955): 90-91.Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1960
Complete Citation:
“Unanswered Question of Charles Ives.” The Times. November 4, 1960, 16.Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses