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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Zierolf, Robert

Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses

no author listed

Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.
Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 1965
Complete Citation:
“Gets Grant.” New York Amsterdam News, February 27, 1965, 16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1966
Complete Citation:
“Move Composer's Home.” The Hartford Courant, September 20, 1966, 33D.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1978
Complete Citation:
“The Charles Ives Society - Past, Present, and Future.” Newsletter - Institute for Studies in American Music 7, no. 2 (Spring 1978): 1, 12.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1980
Complete Citation:
“In the Name of Ives.” Newsletter - Institute for Studies in American Music IX, no. 2 (Spring 1980): 2.
Source: Newsletter
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1985
Complete Citation:
“Copyright Dilemma of Inverted Sonata; Charles Ives Case Against Hungarian Composer.” The Times, August 20, 1985.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1998
Complete Citation:
“Awards Roundup.” Symphony, Vol. 49, No. 4 (1998): 32.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2004
Complete Citation:
“The Charles Ives Center for the Arts.” Fairfield County Business Journal, vol. 43, no. 29 (2004): 30.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.
Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2010
Complete Citation:
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.
Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2012
Complete Citation:
“Preserving a Composer’s Homestead; Fans of Charles Edward Ives, One of the First Famous Classical Composers in the U.S., Want to Buy the Connecticut House Where He Worked and Transform it into a Musical Retreat.” The Wall Street Journal, August 30.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2012
Complete Citation:
“Sale of Ives Home Ends on Sad Note for Fans.” Dow Jones Institutional News, September 17, 2012.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy