Image
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.
Bibliography
Genres
Schoffman, Nachum
Year: 1986
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schuller, Gunther
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes:
Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Scott, Ann Besser
Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Searle, Humphrey
Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Taruskin, Richard
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Tibbe, Monika
Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Yates, Peter
Year: 1954
Complete Citation:
Yates, Peter. “Music.” Arts and Architecture 71/10 (October 1954): 6-8, 10, 32-34.Source: Journal
VI. Topical Studies
W. Obituaries
W. Obituaries
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element inIves’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
no author listed
Year: 1954
Complete Citation:
Translations, German: “Charles Ives—Pionier der modernen Musik.” Melos/Zeitschrift für Neue Musik 25/4 (April 1954): 119-123.Source: Journal
VI. Topical Studies
W. Obituaries
W. Obituaries
Year: 1954
Complete Citation:
“Deceased.” Musical Courier 110/1 (July 1954): 29.Source: Journal
VI. Topical Studies
W. Obituaries
W. Obituaries
Year: 1954
Complete Citation:
“Charles E. Ives, Organist and Noted Composer, Dies.” Diapason (July 1, 1954) 45/8: 20.Source: Journal
VI. Topical Studies
W. Obituaries
W. Obituaries
Year: 1954
Complete Citation:
“A Great Innovator.” Musical America 74/8 (June 1954): 12.Source: Journal
VI. Topical Studies
W. Obituaries
W. Obituaries
Year: 1954
Complete Citation:
“Cronología.” Boletinde Música y Artes Visuales 51-52 (May-June 1954): 1-2, 7-8.Source: Journal
VI. Topical Studies
W. Obituaries
W. Obituaries
Year: 1954
Complete Citation:
Downes, Olin. “American Original; Only This Country Could Produce Ives, Creative Artist and Practical Man.” New York Times. May 30, 1954, sec. 2: 7.Notes:
Regarding Symphony No. 4. An obituary.<br>
Source: Newspaper
VI. Topical Studies
W. Obituaries
W. Obituaries
Year: 1954
Complete Citation:
“Charles Ives, pionir moderne glasbe.” Nasi razgledi [Our Views] 10/19 (October 7, 1954): 466-467.Notes:
Slovenian publication
Source: Magazine
VI. Topical Studies
W. Obituaries
W. Obituaries