Image
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.
Bibliography
Genres
Lambert, J. Philip
Year: 1990
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Lang, Paul Henry
Year: 1961
Complete Citation:
Lang, Paul Henry. One Hundred Years of American Music, 98--99, 108. New York, NY: G. Schirmer, 1961.Notes:
Scattered passing references.
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Layton, Robert
Year: 1960
Complete Citation:
Layton, Robert. “Music in the United States.” Twentieth Century Music, edited by Rollo H. Myers, 197-198. London, United Kingdom: John Calder, 1960.Notes:
“His works show an extraordinary admixture of sheer genius and downright incom-petence.”
Source: Chapter in Book
Reprints:
Revised and Enlarged Edition, 1968: 232-240.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Llloyd, Norman
Year: 1968
Complete Citation:
Lloyd, Norman. “Ives, Charles Edward.” The Golden Encyclopedia of Music. New York, NY: Golden Press, 259-260.Notes:
For young readers. An in-formative article, with minor errors. Discussion of Ives's Symphony No. 4, photograph, musical example No. 28 (tone clusters in Concord Sonata). Numerous other citations: 60, 126, 251, 473, 661.
Source: Article in Encyclopedia
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Machlis, Joseph
Year: 1979
Complete Citation:
Machlis, Joseph. Introduction to contemporary music. 2nd ed. New York, NY: Norton, 1979.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Mellers, Wilfrid
Year: 1965
Complete Citation:
Mellers, Wilfrid. “Jottings of Charles Ives.” In Music in a new found land; themes and developments in the history of American music. New York, NY: A.A. Knopf, 1965.Source: Chapter in Book
VII. Entries in Larger Volumes
D. Other
D. Other
Mesquita, Marcos
Year: 2015
Complete Citation:
Mesquita, Marcos. “Charles Ives and the Superposition Technique.” Musurgia, vol. XXII, no. 2 (2015): 71.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Perison, Harry
Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Reinhard, Johnny
Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.Notes:
Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.
Source: Online article
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Riemann, Hugo
Year: 1968
Complete Citation:
Riemann, Hugo. Riemann Musik Lexikon, edited by Wilibald Gurlitt, 857--858. Vol. 1. 12th ed. Mainz, Germany: B. Schott, 1968.Notes:
A compact, but useful, unsigned article with a substantial list of works and a brief biography.
Source: Book/Encyclopedia
VII. Entries in Larger Volumes
B. Encyclopedia Entries
B. Encyclopedia Entries
Routh, Francis
Year: 1968
Complete Citation:
Routh, Francis. “Contemporary music: an introduction.” London, United Kingdom: English Universities Press, 1968.VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Sadie, Stanley, and Alison Latham, ed.
Year: 1986
Complete Citation:
Sadie, Stanley, and Alison Latham, ed. Stanley Sadie’s Music Guide: An Introduction, 458-463. Englewood Cliffs, NJ: Prentice-Hall, 1986.Notes:
The main entry includes some biography and a list of works and uses Three Places in New England for study: “Putnam’s Camp,” No. 2. “Charles Ives was composing pieces of irrational juxtaposition of musi-cal ideas and deliberately distorted harmonies” (423).
Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Sakae, Yoneda
Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Salzman, Eric
Year: 1967
Complete Citation:
Salzman, Eric. Twentieth -Century Music: An Introduction, 61, 64, 97, 143--148, 152, 164. Englewood Cliffs, NJ: Prentice- Hall, 1967.Source: Book
Reprints:
Salzman, Eric. <i>Twentieth -Century Music: An Introduction</i>, 128--131.<i> </i>Second Edition. Englewood Cliffs, NJ: Prentice- Hall,. 1974. * Third Edition, 1988. * Fourth Edition, 2002: 136--139.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Year: 1967
Complete Citation:
Salzman, Eric. “Ives.” In 20th-century Music: An Introduction, 143-147. Englewood Cliffs, NJ: Prentice Hall, 1967.Source: Chapter in Book
Reprints:
Salzman, Eric. “Ives.” In <i>20th-century Music: An Introduction</i>, 128-131. Englewood Cliffs, NJ: Prentice Hall, 1974.
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Saminsky, Lazare
Year: 1949
Complete Citation:
Saminsky, Lazare. Living Music of the Americas, 43, 149-152. New York, NY: Howell, Soskin and Crown, 1949.Source: Book
VII. Entries in Larger Volumes
A. Textbook Accounts
A. Textbook Accounts
Schoffman, Nachum
Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses