Bruhn, Christopher
Year: 2015
Complete Citation:
Bruhn, Christopher. Review of Charles E. Ives: Symphony no. 4, edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Journal of the Society for American Music, vol. 9, no. 3 (2015): 357-360.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Bryan, Paul
Year: 1975
Complete Citation:
Bryan, Paul. “Reviewed Work: March Intercollegiate, Two-Step for Band by Charles E. Ives, Keith Brion.” Notes 31, no. 3 (March 1975): 655-656.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Bunzl, Alice
Year: 1963-1964
Complete Citation:
Bunzl, Alice. “Reviewed Works: The Gong on the Hook and Ladder, or Firemen's Parade on Main Street by Charles E. Ives; Movement for 2 Trumpets, Trombone, and Piano by Wallingford Riegger; Introduction and Fugue. For Four Cellos or Cello Orchestra. Op. 69 by Wallingford Riegger; Ensemble for String Orchestra by Henry Cowell; Concerto for 5 Kettledrums & Orchestra by Robert Parris.” Notes, vol. 21, no. 1/2 (Winter 1963-Spring 1964) 249-251.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Burger, Peter
Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.Source: Book
Reprints: Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.
VI. Topical Studies
G. Music Theory Analyses
Burkholder, J. Peter
Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Year: 1996
Complete Citation:
Burkholder, J. Peter “Models and Sources.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 39-43. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Carman, Judith
Year: 2005
Complete Citation:
Carman, Judith. “Music Reviews: Some Things Old, All Things New: Miscellaneous Collections and Anthologies - American: “Ives, Charles (1874-1954). 129 Songs, edited by H. Wiley Hitchcock.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 62, No. 1 (2005): 107-108.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Chase, Gilbert
Year: 1974
Complete Citation:
Chase, Gilbert. “Editor’s Outlook: Charles Ives Remembered.” Anuario Interamericano De Investigacion Musical, vol. 10, (1974): 170-174.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Christiansen, Erik
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.Source: Book
VI. Topical Studies
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.Notes: <i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.
Source: Book
VI. Topical Studies
G. Music Theory Analyses
Cowell, Henry
Year: 1948
Complete Citation:
Cowell, Henry. “Charles Ives: Second Pianoforte Sonata, ‘Concord. Mass., 1840-1860.’ Second edition. [Review of Second Pianoforte Sonata by Charles Ives.]” Notes 5/3 (June 1948): 413.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1955
Complete Citation:
Cowell, Henry. “The Flavour of American Music.” Score and I.M.A. Magazine 12 (June 1955): 5-8.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Crory, Neil
Year: 2008
Complete Citation:
Crory, Neil. Charles Ives: Romanzo Di Central Park. Vol. 49, Opera Canada Publications, Toronto, 2008.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Cyr, Gordon
Year: 1972
Complete Citation:
Cyr, Gordon. “Review of Symphony no. 1 by Charles Ives.” Notes 29/2 (December 1972): 319.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1972
Complete Citation:
Cyr, Gordon. “Solo and Ensemble Music: by Charles Ives.” Notes, Volume 29, Issue 2 (December 1972).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1972
Complete Citation:
Cyr, Gordon. “Review of Scherzo, All the Way Around and Back by Charles Ives.” Notes 29/2 (December 1972): 332.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Danner, Gregory
Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
