Image
Complete Citation:
Debruyn, Randall Keith. “Contrapuntal Structure in Contemporary Tonal Music: A Preliminary Study of Tonality in the 20th Century.” D.M.A. dis-s., University of Illinois, 1975.
Bibliography
Genres
Debruyn, Randall Keith
Year: 1975
Source: D.M.A. Dis-sertation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Dickinson, Peter
Year: 1984
Complete Citation:
Dickinson, Peter. “Ives Source. Country Band March for Theatre Orchestra [Review of Country Band March by Charles Ives.]” Musical Times 125/1695 (May 1984): 278.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1986
Complete Citation:
Dickinson, Peter. “Reviewed Works: Apparition: Elegiac Songs and Vocalises for Soprano and Amplified Piano by George Crumb; Songs by Charles Ives.” American Music 4, No. 2 (Summer, 1986): 233-235.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2006
Complete Citation:
Dickinson, Peter. “Hitchcock's Ives: A New Edition of 129 Songs.” Music & Letters, vol. 87, no. 4 (2006): 606-613.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 2011
Complete Citation:
Dickinson, Peter. Review of The Third Symphony of Charles Ives, by Mark Zobel. Music & Letters, Vol. 92, No. 1 (2011): 168-171.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Year: 2013
Complete Citation:
Dickinson, Peter. “Charles E. Ives, Symphony No. 4. Edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Charles Ives Society Performance Edition, 2011. Realized and edited by Thomas M. Brodhead…” Music & Letters, Vol. 94, No. 2 (2013): 360-362.Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Dobos, Lora Gingerich
Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Notes:
Uses Sonata No. 4 for violin and piano for her example.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Donner, Gregory
Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Drees, Stefan
Year: 2011
Complete Citation:
Drees, Stefan. Besprechungen: Dorothea Gail “Charles E. Ives’ ‘Fourth Symphony.’” Die Musikforschung, Vol. 64, No. 2 (2011): 191-192.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Drew, James
Year: 1968
Complete Citation:
Drew, James. “Information, Space and a New Time-Dialectic.” Journal of Music Theory 12/1 (Spring 1968): 86-103.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
E.R.
Year: 1965
Complete Citation:
E.R. Review of Variations on ‘America’. Arranged for Orchestra by Charles Ives, William Schuman. Music & Letters, vol. 46, no. 4, 1965, 377-378.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Flanagan, William
Year: 1951
Complete Citation:
Flanagan, William. “Two Violin Sonatas.” Musical America 71, no. 12 (October 1951): 31.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Forte, Allen
Year: 1992
Complete Citation:
Forte, Allen. “The Diatonic Looking Glass, or An Ivesian Metamorphosis.” Musical Quarterly 16/3 (Fall 1992): 355-382.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Friedheim, Philip
Year: 1953
Complete Citation:
Friedheim, Philip. “Violin Sonata No. 1.” Notes 11, no. 1 (December 1953): 156.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Gann, Kyle
Year: 1995
Complete Citation:
Gann, Kyle. “Different Drummers.” The Village Voice, April 11, 1995.Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Gardner, John
Year: 1967
Complete Citation:
Gardner, John. “Testing Genius by Analysis.” Composer No. 24 (Summer 1967).Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Gillespie, Don C.
Year: 1969
Complete Citation:
Gillespie, Don C. “Reviewed Work: Eleven Songs and Two Harmonizations by Charles Ives, John Kirkpatrick.” Notes, vol. 26, no. 2 (December 1969): 361-362.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
B. Reviews and Announcements of Published Editions
Gingerich, Lora Louise
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique for Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique of Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses