Sapp, Allen
Year: 1955
Complete Citation:
Sapp, Allen. “String Quartet No. 2.” Notes 12, no. 4 (June 1955): 489-492.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Schaefer, Theodore
Year: 1950
Complete Citation:
Schaefer, Theodore. “1. Chanson de Florian. 2. It Strikes Me That... 3. The Light That Is Felt.” Notes 7, no. 4 (September 1950): 636-637.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Schoffman, Nachum
Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Schuller, Gunther
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes: Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
Scott, Ann Besser
Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Searle, Humphrey
Year: 1954
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.Source: Book
VI. Topical Studies
G. Music Theory Analyses
Seeger, Charles
Year: 1950
Complete Citation:
Seeger, Charles. Review of “Hallowe’en, from ‘Three Outdoor Scenes,’ for 2 violins, viola, cello, piano.” Notes 7, no. 3 (June 1950): 432.X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Siebert, Mark
Year: 1957
Complete Citation:
Siebert, Mark. “Psalm XXIV.” Notes 14, no. 4 (September 1957): 618-619.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1963
Complete Citation:
Siebert, Mark. “They Are There: A War Song March, 1917.” Notes 20, no. 4 (1963): 565-566.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Sinclair, James B.
Year: 1975, 1976
Complete Citation:
Sinclair, James B. “Preface.” In A New England Symphony: Three Places in New England — Charles Ives, edited by James B. Sinclair. Bryn Mawr, PA: Mercury Music Corporation, 1976.Notes: Preface dated January 27, 1975. Full orchestration restored by James B. Sinclair.
Source: Preface to Edition
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Singleton, Kenneth D.
Year: 1976
Complete Citation:
Singleton, Kenneth D. A comparative listing of the music of Charles Ives in regard to publication and publishability.X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Smith, Rollin
Year: 2013
Complete Citation:
Smith, Rollin. “Music Review: Charles E. Ives: Complete Organ Music.” The American Organist, Vol. 47, No. 1 (2013): 82-83.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Snedeker, Jeffrey
Year: 2014
Complete Citation:
Snedeker, Jeffrey. “Music and Book Reviews: “Five Songs of Charles Ives,” arranged for horn and piano by Ian Zook.” The Horn Call: Journal of the International Horn Society, Vol. 44, No. 2 (2014): 78.Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1991
Complete Citation:
Starr, Larry. “Review of ‘Decoration Day’ by Charles Ives.” Notes 47/3 (March 1991): 959-961.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Stevens, Halsey
Year: 1954
Complete Citation:
Stevens, Halsey. Review of “Scherzo (Over the Pavements). For chamber orchestra. Performable also as chamber music.” Notes 12, no. 2 (December 1954): 326.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Stevenson, Robert
Year: 1949
Complete Citation:
Stevenson, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America, Vol. 69 (June 1949).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions