Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
Wallach, Larry
Year: 1996
Complete Citation:
Wallach, Larry. “A Work and Its Sources: The Second Sonata for Violin and Piano.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 28-29. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Whallon, Evan
Year: 1953, 1954
Complete Citation:
Whallon, Evan. Review of “The Unanswered Question, for Chamber Orchestra. “Performable Also as Chamber Music) by Charles Ives; Calcium Light, for Orchestra by Charles Ives.” Notes 11. no. 4 (September 1954): 607.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes: Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
no author listed
Year: 1951
Complete Citation:
“Scores: Symphony No. 2 by Charles Ives.” Musical Courier 143, no. 9 (May 1, 1951): 29.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 1977
Complete Citation:
“Editor’s Experiences (Discussion with John Kirkpatrick, Alan Mandel, James Sinclair, William Brooks, Lou Harrison, H. Wiley Hitchcock).” In An Ives Celebration. Papers and Panels of the Charles Ives Centennial Festival Conference. Music in American Life. Urbana, Illinois: University of Illinois Press, 67-85.Source: Chapter in Book
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 1994
Complete Citation:
“Charles Ives; Seek and Ye Shall Find: Letter.” The New York Times, June 12, 1994.Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2010
Complete Citation:
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2016
Complete Citation:
“Charles E Ives, Complete Organ Music.” The Diapason, Vol. 107, No. 6 (2016): 15.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices
