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Bibliography

Carman, Judith

Year: 2005
Complete Citation:
Carman, Judith. “Music Reviews: Some Things Old, All Things New: Miscellaneous Collections and Anthologies - American: “Ives, Charles (1874-1954). 129 Songs, edited by H. Wiley Hitchcock.” Journal of Singing: The Official Journal of the National Association of Teachers of Singing, Vol. 62, No. 1 (2005): 107-108.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Christiansen, Erik

Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.
Source: Book
VI. Topical Studies
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.
Notes:

<i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.

Source: Book
VI. Topical Studies
G. Music Theory Analyses

Cowell, Henry

Year: 1948
Complete Citation:
Cowell, Henry. “Charles Ives: Second Pianoforte Sonata, ‘Concord. Mass., 1840-1860.’ Second edition. [Review of Second Pianoforte Sonata by Charles Ives.]” Notes 5/3 (June 1948): 413.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1955
Complete Citation:
Cowell, Henry. “The Flavour of American Music.” Score and I.M.A. Magazine 12 (June 1955): 5-8.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Crory, Neil

Year: 2008
Complete Citation:
Crory, Neil. Charles Ives: Romanzo Di Central Park. Vol. 49, Opera Canada Publications, Toronto, 2008.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Cyr, Gordon

Year: 1972
Complete Citation:
Cyr, Gordon. “Solo and Ensemble Music: by Charles Ives.” Notes, Volume 29, Issue 2 (December 1972).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1972
Complete Citation:
Cyr, Gordon. “Review of Scherzo, All the Way Around and Back by Charles Ives.” Notes 29/2 (December 1972): 332.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1972
Complete Citation:
Cyr, Gordon. “Review of Symphony no. 1 by Charles Ives.” Notes 29/2 (December 1972): 319.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Danner, Gregory

Year: 1984
Complete Citation:
Danner, Gregory “Ives’ Harmonic Language.” Journal of Musicological Research 5/1-2 (1984): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Debruyn, Randall Keith

Year: 1975
Complete Citation:
Debruyn, Randall Keith. “Contrapuntal Structure in Contemporary Tonal Music: A Preliminary Study of Tonality in the 20th Century.” D.M.A. dis-s., University of Illinois, 1975.
Source: D.M.A. Dis-sertation
VI. Topical Studies
G. Music Theory Analyses

Dickinson, Peter

Year: 1984
Complete Citation:
Dickinson, Peter. “Ives Source. Country Band March for Theatre Orchestra [Review of Country Band March by Charles Ives.]” Musical Times 125/1695 (May 1984): 278.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1986
Complete Citation:
Dickinson, Peter. “Reviewed Works: Apparition: Elegiac Songs and Vocalises for Soprano and Amplified Piano by George Crumb; Songs by Charles Ives.” American Music 4, No. 2 (Summer, 1986): 233-235.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1996
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
Year: 2006
Complete Citation:
Dickinson, Peter. “Hitchcock's Ives: A New Edition of 129 Songs.” Music & Letters, vol. 87, no. 4 (2006): 606-613.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2011
Complete Citation:
Dickinson, Peter. Review of The Third Symphony of Charles Ives, by Mark Zobel. Music & Letters, Vol. 92, No. 1 (2011): 168-171.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2013
Complete Citation:
Dickinson, Peter. “Charles E. Ives, Symphony No. 4. Edited by William Brooks, James B. Sinclair, Kenneth Singleton, and Wayne D. Shirley. Charles Ives Society Performance Edition, 2011. Realized and edited by Thomas M. Brodhead…” Music & Letters, Vol. 94, No. 2 (2013): 360-362.
Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Dobos, Lora Gingerich

Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Notes:

Uses Sonata No. 4 for violin and piano for her example.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Donner, Gregory

Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses