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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Drees, Stefan

Year: 2011
Complete Citation:
Drees, Stefan. Besprechungen: Dorothea Gail “Charles E. Ives’ ‘Fourth Symphony.’” Die Musikforschung, Vol. 64, No. 2 (2011): 191-192.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Drew, James

Year: 1968
Complete Citation:
Drew, James. “Information, Space and a New Time-Dialectic.” Journal of Music Theory 12/1 (Spring 1968): 86-103.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

E.R.

Year: 1965
Complete Citation:
E.R. Review of Variations on ‘America’. Arranged for Orchestra by Charles Ives, William Schuman. Music & Letters, vol. 46, no. 4, 1965, 377-378.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Flanagan, William

Year: 1951
Complete Citation:
Flanagan, William. “Two Violin Sonatas.” Musical America 71, no. 12 (October 1951): 31.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Forte, Allen

Year: 1992
Complete Citation:
Forte, Allen. “The Diatonic Looking Glass, or An Ivesian Metamorphosis.” Musical Quarterly 16/3 (Fall 1992): 355-382.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Friedheim, Philip

Year: 1953
Complete Citation:
Friedheim, Philip. “Violin Sonata No. 1.” Notes 11, no. 1 (December 1953): 156.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Gann, Kyle

Year: 1995
Complete Citation:
Gann, Kyle. “Different Drummers.” The Village Voice, April 11, 1995.
Source: Newspaper
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Gardner, John

Year: 1967
Complete Citation:
Gardner, John. “Testing Genius by Analysis.” Composer No. 24 (Summer 1967).
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Gillespie, Don C.

Year: 1969
Complete Citation:
Gillespie, Don C. “Reviewed Work: Eleven Songs and Two Harmonizations by Charles Ives, John Kirkpatrick.” Notes, vol. 26, no. 2 (December 1969): 361-362.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Gingerich, Lora Louise

Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique of Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique for Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Goossen, Frederic

Year: 1968
Complete Citation:
Goossen, Frederic. “From the Steeples and the Mountains, for Bells (Chimes) or Two Pianos, Trumpet, and Trombone by Charles E. Ives.” Notes, vol. 24, no. 4 (June 1968): 807-808.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Hamm, Charles

Year: 1995
Complete Citation:
Hamm, Charles. “Review of Forty Earlier Songs by Charles Ives.” Notes 51/2 (March 1995): 1124-1125.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Hammel, Alice M.

Year: 2007
Complete Citation:
Hammel, Alice M. Review of Charles Ives: Variations on “America,” for Flute and Piano, by Daniel Dorff. American Music Teacher (2007): 99-100.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Helms, Hans G.

Complete Citation:
Helms, Hans G. “Charles Ives—Hommage zur 100. Geburtstag; 1. Zur Physiognomie eines revolutionären Komponisten und Citoyen; 2. Zum Phänomen der Ungleichzeitigkeit kompositoricher Konzeptionen und ihrer technichen Realiserbarkeit.” Student Musicologists at Minnesota 6 (1975-76): 95-127.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1966
Complete Citation:
Helms, Hans G. “Über statistisches Komponieren bel Charles Ives.” Neue Zeitschrift für Musik 127, no. 3 (March 1966): 90-93.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Henck, Herbert

Year: 1980
Complete Citation:
Henck, Herbert. “‘Waltz-Rondo’ und andere Klavierstucke von Charles Ives. [Review of Waltz-Rondo by Charles Ives.]” Neuland 1 (1980): 44-46.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1982-1983
Complete Citation:
Henck, Herbert. “Aus zweiter Hand: Charles E. Ives’ ‘Study No. 20.’ Review of Study No. 20 by Charles Ives.]” Neuland 3 (1982-83): 242.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Hepokoski, James

Year: 1994
Complete Citation:
Hepokoski, James. “Temps Perdu. Revolutionary or Reactionary?” Musical Times 135 (1994): 746-751.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Herchet, Jorg

Year: 1993
Complete Citation:
Herchet, Jorg. “Polifonia es tarea.” Translated by Rutilo Silva. Pauta: Cuadernos de teoria y critica musical 12/46 (April-June 1993): 62-68.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses