Waters, Edward N.
Year: 1941
Complete Citation:
Waters, Edward N. “Panorama de las publicationes musicales.” Boletín Latino-Americano de Música 5/5 (October 1941): 289-322.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Wells, William B.
Year: 1974
Complete Citation:
Wells, William B. “Sacred Choral Octavos” and “Psalm 150.” Notes 30, no. 3 (1974): 634-640.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Whallen, Evan
Year: 1954
Complete Citation:
Whallen, Evan. “Review of ‘The Unanswered Question’ and ‘Calcium Night Light.’” Music Library Association Notes, Second Series, Vol. 11, No. 4 (September 1954).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Whitmer, T. Carl
Year: 1929
Complete Citation:
Whitmer, T. Carl. “New Music.” The Musical Forecast (March 1929): 5-6.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Wicks, John D.
Year: 1964
Complete Citation:
Wicks, John D. “Reviewed Works: Erstes Streichquartett, Op. 69 by Erich Sehlbach; Streichquartett in C., Op. 25. (N., 3295.) by Friedrich Zipp; Secondo quartetto per archi by Kees van Baaren; String Quartet No. 5 (1962) by Walter Piston; String Quartet No. 1 by Anis Fuleihan; String Quartet No. 1 by Charles E. Ives.” Notes, vol. 21, no. 3 (Summer 1964): 453-455.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes: Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Woodward, Henry
Year: 1956
Complete Citation:
Woodward, Henry. “Processional: Let There Be Light.” Notes 13, no. 2 (March 1956): 349.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Yellin, Victor Fell
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country by Charles Ives.” Musical Quarterly LX, (July 3, 1974): 500-508.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
Zobel, Mark
Year: 2009
Complete Citation:
Zobel, Mark. “The Third Symphony of Charles Ives.” In CMS Sourcebook in American Music. Hillsdale, NY: Pendragon Press, 2009.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
no author listed
Year: 1922
Complete Citation:
“Here’s a Chance to Get a Nice Songs Book Free.” The Sun (New York), August 29, 1922, 19.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Recent Publications. New Music (January 1929).” Musical Courier 98, no. 10 (March 7, 1929): 46.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Publicaciones recibidas.” Musicalia [Havana] 1/5 (March-April 1929): 230.Notes: Citations for Ives’s publications received: <i>114 Songs; 50 Songs; </i>a “Pot Pourri” from Scherzo (from Sonata No. 1 for piano); Four Transcrip-tions from "Emerson" (from Sonata No. 2, "Concord, Mass., 1840- 1860" for piano); Sonata No. 1 for violin and piano, and <i>Essays Before </i>a Sonata.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1953
Complete Citation:
“Violin Sonata No. 1.” Musical Courier 148, no. 2 (September 1953): 33.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1953
Complete Citation:
“Violin Sonata No. 1.” Musical Courier 148, no. 2 (September 1953): 33.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 1987
Complete Citation:
Ivesiana. Newsletter - Institute for Studies in American Music XVI, no. 2 (Spring 1987): 3.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2010
Complete Citation:
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
Year: 2011
Complete Citation:
Dickinson, Peter. “The Third Symphony of Charles Ives (review).” Music & Letters, vol. 92, no. 1 (2011): 168-171.X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions