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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
(-) XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Woolfe, Zachary

Year: 2012
Complete Citation:
Woolfe, Zachary. “The Ives Songbook, without Interruption: Review.” The New York Times, January 16, 2012.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Wright, David

Year: 1996
Complete Citation:
Wright, David. “Symphonists, Native and Fervent.” The New York Times. 1996, sec. 2: 28.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Wright, Stephen

Year: 2015
Complete Citation:
Wright, Stephen. “Lion's Gate Trio.” American Record Guide, Vol. 78, No. 4 (2015): 180-181.
Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wulfert, Eric J.

Year: 1966
Complete Citation:
Wulfert, Eric J. “Letters to the Recordings Editor: Columbia Cut- Outs.” Saturday Review 49/18 (April 30, 1966): 75.
Notes:

Regarding the fact that several Columbia recordings are unavailable, especially Ives’s Sonata No. 1 for piano and Sonata No. 2, “Concord, Mass., 1840--1860” for piano.

Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Wyatt, Judith

Year: 1985
Complete Citation:
Wyatt, Judith. “The Beaux Arts Trio: Experience Speaks: Fifth Edition.” The Morning Call, March 29, 1985.
Notes:

Book review for “The Beaux Arts Trio: A Portrait”

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
C. Interviews

Yellin, Victor Fell

Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of the First Recording of The Celestial Country, by Charles Ives.” The Musical Quarterly 60, No. 3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country.” Musical Quarterly 60/3 (July 1974): 500-508.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews

Young, Jerry

Year: 1990
Complete Citation:
Young, Jerry. “UT Pianist Prefers the Unusual: FINAL Edition.” Austin American-Statesman, October 20, 1990.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Z., Pamela

Year: 2000
Complete Citation:
Z., Pamela. “Concert Reviews: Talking Music at Davies Hall.” 21st Century Music, Vol. 7, No. 8 (2000): 21-22.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances

Zierolf, Robert

Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element in
Ives’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses

no author listed

Complete Citation:
“Latest in low-cost records: From time to time, the editors report on the best among the new records you can buy at budget prices.” Changing Times, Vol. 21, Iss. 11 (November 1967): 19.
Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Complete Citation:
“Advice to an Astonished Audience: Don’t Cough.” Globe and Mail, May 28, 1993.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Complete Citation:
“Composers’ Group Has Final Concert: Fifth of League's Programs is Divided between Native and European Works. Harris Concerto Played Novelty of Yaddo Festival is Warmly Received - Songs by Charles Ives Presented.” The New York Times. April 9, 1934: 21.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Complete Citation:
Chinen, Nate. “Tinges of Electro-Pop and some Ives, Too.” The New York Times, February 19, 2010, C15.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1888
Complete Citation:
“Amusements. The German Dramatic Association.” Danbury Evening News. January 17, 1888, 3.
Source: Newspaper/Book
Reprints:

“Amusements. The German Dramatic Association.” In <i>Charles Ives and His World</i>, 274-275. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1888
Complete Citation:
Concert program. “Kinder Concert,” March 7, 1887, Danbury, CT: City Hall. Davis Library, College of Insurance, New York City.
Notes:

The first printed concert program with Ives’s name on it. Indicates that the thirteen- year old Ives played drum and musical glasses for “Kindersymphonie” by Joseph Haydn and for “The Happy Sleighing Party” by Franz Xavier Chwatal in a concert at City Hall in Danbury, CT. An original printed program is in the Davis Library, College of Insurance, New York City.

Source: Concert Program
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1889
Complete Citation:
“Announcement.” Danbury Evening News, October 21, 1889: 3.
Notes:

Erroneously dated 1888 in Ives's compiled references.

Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1892
Complete Citation:
“Reviews and notices of George and Charles Ives’s performances in Brewster, NY.” Brewster Standard. February 5, 1892: 3; February 12, 1892; February 19, 1892: 3.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1902
Complete Citation:
“Charles E. Ives’ Concert and New Cantata, The Celestial Country.” Musical Courier 44/17, April 23, 1902, 34.
Source: Magazine
Reprints:

Reprinted in Charles Ives and His World (item 36), 276-77.&nbsp;In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1902
Complete Citation:
“The Four O’Clock Concert.” Journal and Courier (New Haven), May 8, 1902.
Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances