Image
Complete Citation:
Taper, Bernard. Balanchine: A Biography. New York, NY: Collier Books/Macmillan, 1960.
Bibliography
Genres
Taper, Bernard
Year: 1960
Notes:
Considers Ivesiana of 1954 with “strange visions of indefinite nightmare” to be one of Balanchine's “acknowledged masterworks” in contemporary ballet from 1946 to 1963 (p. 262).
Source: Book
Reprints:
Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1963. * Taper, Bernard. <i>Balanchine: A Biography</i>. New York, NY: Collier Books/Macmillan, 1974.
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B. Dance
B. Dance
Taruskin, Richard
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Taylor, Paul, choreographer
Year: 1988
Complete Citation:
Paul Taylor, choreographer. Danbury Mix (1988); Paul Iaylor Dance Company. Music: Orchestral Set No. 2 (movements 1 and 3); Circus Band March; Orchestral Set No. 1 [Three Places in New England]: "Putnam's Camp" and "The Housatonic at Stockbridge.” Prf: 1988 May 12: New York.1988 June 30: Durham, NC; Duke University; Page Audito-rium.
1990 March 8: New York; City College.
Source: Performance (ballet)
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B. Dance
B. Dance
Teachout, Terry
Year: 2002
Complete Citation:
Teachout, Terry. “Loving America, and Voting with His Feet.” The New York Times. February 24, 2002: 41.Notes:
Interview with Paul Taylor.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Terry, Walter
Year: 1954
Complete Citation:
Terry, Walter. “New York City Ballet.” New York Herald Tribune, September 15, 1954, 26.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1955
Complete Citation:
Walter Terry. “Dance: New York City Ballet.” The New York Times, March 7, 1955, 8.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Tibbe, Monika
Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Trischler, Joyce, choreographer
Year: 1980, 1981, 1984, 1987
Complete Citation:
Joyce Trischler, choreographer. Journey (1980); ballet; Trischler Dance Company.Music included The Unanswered Question. Prf: 1980.
1981 November 20.
1984 December 13.
1987 May 6: New York; Joyce Theater.
1987 May 10: New York; Joyce Theater.
1991 July 17: Garden City, NY; Adelphi University, Olmstead Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Wechsler, Bert
Year: 1993
Complete Citation:
Volume 1 and 2, Performance: 1993 October 7--10: New York; St. Mark's Church; Dance Studio. Review: Bert Wechsler. (1993 October 71).Source: Pamphlet
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element inIves’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
no author listed
Complete Citation:
Other prf: Netherlands Ballet Orkest; Combustion Chamber in the Netherlands; Relach Ensemble in Philadelphia; Noamnesia in Chicago.Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
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B. Dance
Complete Citation:
Review: Robert. Cue (1914). The piece is "marked by turbulence...and commands respect."XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Complete Citation:
“Music: Central Park in the Dark; Hallowe’en; The Unanswered Ques-tion’, Scherzo: Over the Pavements’, “In the Inn”; “In the Night.” Comment: George Balanchine. “Ivesiana, G. Balanchine.”” Center: A Magazine for the Performing Arts 1/5 (August--Septem-ber 1954). Prf: 1954 September 14: New York; New York Center of Music and Drama; Leon Barzin and Hugo Fiorato, conductors.
Source: Magazine
Reprints:
Reprint: George Balanchine and Francis Mason. Balanchine's Com- plete Stories of the Great Ballets. Garden City, NY: Double- day, 1977: 341--343.
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Complete Citation:
Mandel, Howard.“Review: Mark Tucker. “Behind the Beat.”” Institute for Studies in American Music Newsletter (Fall 1995) 25/1: 13.
Source: Newsletter
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1965
Complete Citation:
“San Francisco Ballet Sets Dances to Hindemith, Ives.” The Atlanta Journal and the Atlanta Constitution, March 14, 1965, 11D.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1968
Complete Citation:
“Hartford Ballet Co. to Dance New Works.” The Hartford Courant, March 24, 1968, 23E.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Year: 1976
Complete Citation:
Steinberg, Michael. “Arts & Films: Foster and Ives Blended at Dartmouth Review/Music.” Boston Globe, 1976, 29.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews