Image
Complete Citation:
Deborah Anderson, choreographer and dancer. Waiting (1986); Dance Theater Workshop. Music: Largo from Pre--First Violin Sonata.Prf: 1986 August 15: New York; Studios, Bessie Schönberg Theater.
Bibliography
Genres
Anderson, Deborah, choreographer and dancer
Year: 1986
Prf: 1986 August 15: New York; Studios, Bessie Schönberg Theater.
Source: Performance (ballet)
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B. Dance
Anderson, Jack
Year: 1985
Complete Citation:
Anderson, Jack. “City Ballet: ‘Poulenc Sonata’ and ‘Calcium Light Night’: Review.” The New York Times, 1985.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
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B. Dance
Year: 1989
Complete Citation:
Anderson, Jack. “Small-Town America.” The New York Times, February 14, 1989, sec. C, 16.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
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B. Dance
Year: 1993
Complete Citation:
Anderson, Jack. “A Dutch Tribute to Ives’s Life and Music.” The New York Times, October 14, 1993, sec. C, 18.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
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B. Dance
Year: 1999
Complete Citation:
Anderson, Jack. “Balanchine and Ives: Marriage of Mysteries.” The New York Times, June 15, 1999, sec. E, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
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B. Dance
Balanchine, George, and Francis Mason
Year: 1977
Complete Citation:
Balanchine, George, and Francis Mason. “Ivesiana.” In Balanchine’s Com-plete Stories of the Great Ballets. 2nd ed. Garden City, NY: Doubleday, 1977.Source: Book
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Balanchine, George (choreographer)
Year: 1954
Complete Citation:
George Balanchine, choreographer. Ivesiana (1954); ballet; New York City Ballet Company. [Homage to Ives in the year of his death.]Source: *Ballet
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Barnes, Clive
Year: 1966
Complete Citation:
Barnes, Clive. “Dance: Ives sans Currier.” The New York Times, December 5, 1966, 65.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Baron, Carol K.
Year: 1998
Complete Citation:
Baron, Carol K. “Some Theoretical Premises in Charles Ives's Music.” Lecture, University of Nevada, Reno, Nevada, February 1998.Source: Lecture
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Beck, Jill
Year: 1985
Complete Citation:
Beck, Jill. “Principles and Techniques of Choreography: A Study of Five Choreographies from 1983.” Ph.D. diss., City University of New York, 1985.Source: Ph.D. Dissertation
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Blankert, Beppie, choreographer
Year: 1993
Complete Citation:
Beppie Blankert, choreographer. Charles Ives Trilogy (1993); ballet. Based on the life of Charles Ives. Volume 1. “Charles." Music: songs, piano works, and violin sonatas. Volume 2. "Ives."Music: large ensemble music. For 13 musicians; Rutger van Leyden, director. Volume 3. “Dance Concert.” Music: Holidays Symphony; Serenity.Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
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B. Dance
Burger, Peter
Year: 1974
Complete Citation:
Burger, Peter. Theorie der Avantgarde. Frankfurt am Main: Suhrkamp, 1974.Source: Book
Reprints:
Burger, Peter. <i>Theorie der Avantgarde</i>. Frankfurt am Main: Suhrkamp, 2013.
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Burkholder, J. Peter
Year: 1990
Complete Citation:
Burkholder, J. Peter. “The Critique of Tonality in the Early Experimental Music of Charles Ives.” Music Theory Spectrum 12/2 (Fall 1990): 203-223.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1995
Complete Citation:
Burkholder, J. Peter. “Rule-Breaking as a Rhetorical Sign.” In Festa Musicologica: Essays in Honor of George J. Buelow, edited by Thomas J. Mathiesen and Benito V. Rivera. Stuyvesant, NY: Pendragon, 1995.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2012
Complete Citation:
Burkholder, J. Peter. “Stylistic Heterogeneity and Topics in the Music of Charles Ives.” Journal of Musicological Research 31 (2012): 166-199.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Christiansen, Erik
Year: 1996
Complete Citation:
Christensen, Erik. “Nota-tion Examples and Graphs.” In The Music Timespace: A Theory of Music Listening. Volume 2. Alborg, Denmark: Alborg University Press, 1996.Notes:
<i>The Unan-swered Question </i>and <i>Central Park in the Dark </i>are chosen for consider-ation. Each is analyzed by five basic listening dimensions: timbre, pulse, pitch height space, movement, and intensity.
Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1996
Complete Citation:
Christensen, Erik. The Musical Timespace: A Theory of Music Listening. Alborg, Denmark: Alborg University Press, 1996.Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Cowell, Henry
Year: 1954
Complete Citation:
Cowell, Henry. “The Music and Motives of Charles Ives." Center 1 (August-September 1954): 2-5.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1955
Complete Citation:
Cowell, Henry. “Ivesiana.” Musical Quarterly 41/1 (January 1955): 85-89.Source: Journal
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Currier, Ruth
Complete Citation:
Ruth Currier, choreographer. Phantasmagoriad; Jose Limon Dance Com-pany. Music: Song for Harvest Season; From the Steeples and the Mountains.
Notes:
Music: Song for Harvest Season; From the Steeples and the Mountains.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance