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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
(-) XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Herchet, Jorg

Year: 1993
Complete Citation:
Herchet, Jorg. “Polifonia es tarea.” Translated by Rutilo Silva. Pauta: Cuadernos de teoria y critica musical 12/46 (April-June 1993): 62-68.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Hiekel, Jörn Peter

Year: 1999
Complete Citation:
Hiekel, Jörn Peter. “Komponierte Erfahrungsräume: Zeit- Und Wirklichkeitsbezüge in Der Musik.” Neue Zeitschrift Für Musik (1991-), vol. 160, no. 5 (1999): 10-15.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Hirsch, Edward

Year: 1986
Complete Citation:
Hirsch, Edward. “The Night Parade: Homage to Charles Ives.” The Geor-gia Review.
Source: Poem
Reprints:

Hirsch, Edward. “The Night Parade: Homage to Charles Ives.” In <i>Wild Gratitude</i>. Knopf Poetry Series, 21. New York, NY: Alfred A. Knopf, 1986: 30--33.

XIII. Ives in Literature
A. Poetry

Hoffman, Daniel

Year: 1970
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Broken Laws. New York, New York: Oxford University Press, 1970.
Source: Poem
Reprints:

Reprint: Beyond Silence: Selected Shorter Poems, 1948-2003. Baton Rouge: Louisiana State University Press, 2003: 181.

XIII. Ives in Literature
A. Poetry
Year: 1977
Complete Citation:
Hoffman, Daniel. “Snatches for Charles Ives.” In Able was I ere I saw Elba: selected poems, 1954-74. London, United Kingdom: Hutchinson, 1977.
Source: Poem
XIII. Ives in Literature
A. Poetry

Holmes, Janet

Year: 2001
Complete Citation:
Holmes, Janet. “Humanophone.” In Humanophone, 46-52. Notre Dame, IN: Univer-sity of Notre Dame Press, 2001.
Source: Poem in Book
XIII. Ives in Literature
A. Poetry

Houston, Peyton

Year: 1975
Complete Citation:
Houston, Peyton. “Concord: In Memory of C. I.” A Garland for Charles Ives: Special Supplement to Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 327--328.
Source: Poem
XIII. Ives in Literature
A. Poetry

Hwang, Mi Kyung

Year: 2010
Complete Citation:
Hwang, Mi Kyung. “Charles Ives’s Variations on “America”: A Musical Analysis Based upon Jazz Elements.” The Organ, Vol. 89 (2010): 26-35.
Source: Magazine
VI. Topical Studies
G. Music Theory Analyses

Iverson, Jennifer

Year: 2011
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’ Collages.” Music Theory Online, Vol. 17 (2011).
Source: Journal (online)
VI. Topical Studies
G. Music Theory Analyses

Jaffin, David

Year: 2013
Complete Citation:
Jaffin, David. “Charles Edward Ives.” In Light sources: poems. Bristol, United Kingdom: Shearsman Books, 2013.
Source: Poem
XIII. Ives in Literature
A. Poetry

Johnson, Owen

Year: 1912
Complete Citation:
Johnson, Owen. Stover at Yale. Boston, MA: Little, Brown, 1912.
Source: Book
XIII. Ives in Literature
B. Fiction

Johnson, Ronald

Year: 1975
Complete Citation:
Johnson, Ronald. “Charles Ives: Two Eyes, Two Ears.” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 345-349.
Source: Journal
XIII. Ives in Literature
A. Poetry

Josephson, Nors S.

Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kramer, Jonathan Donald

Year: 2001
Complete Citation:
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.
Notes:

Regarding “Putnam's Camp.” Includes musi-cal examples, comments, and tables.

Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Kunze, Stefan

Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Lambert, J. Philip

Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses

Last, Martin

Year: 1959
Complete Citation:
Last, Martin. “Charles Ives: A Music.” The Transatlantic Review. no. 2 (1959): 102-103.
Source: Magazine
XIII. Ives in Literature
A. Poetry