Image
Complete Citation:
Lynds, D. “Charles Ives and the President of the United States.” South Dakota Review 211A (Winter 1989): 156-161.
Bibliography
Genres
Lynds, D.
Year: 1989
Source: Journal
XIII. Ives in Literature
B. Fiction
B. Fiction
Malanga, Gerald
Complete Citation:
Malanga, Gerald. “Washington’s Birthday or The Fourth of July.” Unpub-lished poem. Danbury.Notes:
See also “Statement” by Gordon Mumma {B0879: 203--204}.
Source: Unpub-lished Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Matthews, David
Year: 1974
Complete Citation:
Matthews, David. Landscape into Sound. St. Albans, United Kingdom: Claridge Press, 1992.Source: Book
XIII. Ives in Literature
A. Poetry
A. Poetry
Mesquita, Marcos
Year: 2015
Complete Citation:
Mesquita, Marcos. “Charles Ives and the Superposition Technique.” Musurgia, vol. XXII, no. 2 (2015): 71.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Oliphant, Dave
Year: 2004
Complete Citation:
Oliphant, Dave. “The Pilgrimage.” In Backtracking, 119--122. Austin, TX: Host Publi-cations, 2004.Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Ostriker, Alicia
Year: 2009
Complete Citation:
Ostriker, Alicia. “A theme for Charles Ives.” In The Book of Seventy. Pittsburgh, PA: University of Pittsburgh Press, 2009.Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Perison, Harry
Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Price, Jonathan
Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way Up the Mountain.” Yale Alumni Maga-zine (April 1968).Source: Poem in Magazine
Reprints:
Price, Jonathan. “The Rough Way Up the Mountain.” <i>Music Educators Journal</i> 55/2 (October 1968): 38--45.
XIII. Ives in Literature
A. Poetry
A. Poetry
Reinhard, Johnny
Year: 2005
Complete Citation:
“Extended Pythagorean Tuning.” New Music Box. New Music USA, December 21, 2005. www.nmbx.newmusicusa.org.Notes:
Reinhard cites writings in which Ives identifies usual enharmonic notes [e.g., C# and Db) as being different.
Source: Online article
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Revell, Donald
Year: 2002
Complete Citation:
Revell, Donald. “Arcady: ives.” Arcady: Poems, 44. Middleton, CT: Wesley-an University Press, 2002.Notes:
Also notice the last line of his poem im- mediately prior on page 43: "Key to the music of Ives is confluence." The summary on the back cover states that this collection of poems "draw its influence from Charles Ives and Henry David Thoreau."
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 2016
Complete Citation:
Revell, Donald. “Charles Ives at the Spinet.” The Massachusetts Review, vol. 57 no. 4, (2016): 708-708.Source: Journal
XIII. Ives in Literature
A. Poetry
A. Poetry
Ridgway, Rick
Year: 1994
Complete Citation:
Ridgway, Rick. Three Squirt Dog. New York, NY: St. Martin’s Press, 1994.Source: Book
XIII. Ives in Literature
B. Fiction
B. Fiction
Rukeyser, Muriel
Year: 1939
Complete Citation:
Rukeyser, Muriel. “Ives.” In A Turning Wind, 115-120. New York, New York: Viking Press, 1939.Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 1939
Complete Citation:
Muriel Rukeyser. "Ives." A Turning Wind. New York: Viking Press, 1939: 115--120. Reprints: Muriel Rukeyser. The Collected Poems of Muriel Rukeyser. New York: McGraw--Hill Book Company, 1978: 199--203. A Turning Wind (1939): "Lives, 'Ives.'"Source: Poem
Reprints:
Muriel Rukeyser. The Collected Poems of Muriel Rukeyser. New York: McGraw--Hill Book Company, 1978: 199--203. A Turning Wind (1939): "Lives, 'Ives.'" Muriel Rukeyser. Selected Poems. New York: New Directions, 1951: 62--63: "from Ives.” Untune the Sky; Poems of Music and Dance, compiled by Helen Plotz. New York: Thomas Y. Crowell Company, 1957: "This is Charles Ives" (an excerpt from "Ives"). Muriel Rukeyser. Waterlily. Fire, Poems 1935--1962. New York: Macmillan Company, 1962: 68--71. A Muriel Rukeyser Reader, edited by Jan Heller Levi; introduction by Adrienne Rich. New York: W. W. Norton, 1995: 65--66: "from Charles Ives.”
XIII. Ives in Literature
A. Poetry
A. Poetry
Sakae, Yoneda
Year: 1988
Complete Citation:
Sakae, Yoneda. “Charles Ives no ongakukozo ni okeru de-composition.” Ongakugaku 34/2 (1988): 97-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schevill, James Erwin
Year: 1996
Complete Citation:
Schevill, James Erwin. “Hats and Ears for Charles Ives.” In The Complete American Fantasies. Athens, OH: Swallow Press/Ohio University Press, 1996: 17--19.Source: Poem in Book
Reprints:
Schevill, James Erwin. “Hats and Ears for Charles Ives.” In <i>New and Selected Poems</i>, 103-105. Athens, OH: Swallow Press/Ohio University Press, 2000.
XIII. Ives in Literature
A. Poetry
A. Poetry
Schoffman, Nachum
Year: 1981
Complete Citation:
Schoffman, Nachum. “Serialism in the Works of Charles Ives.” Tempo: A Quarterly Review of Modern Music, no. 138 (September 1981): 21-32.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1986
Complete Citation:
Schoffman, Nachum. “Ives: un exemple de polyphonie complexe.” Contrechamps 7 (1986): 155-171.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Schuller, Gunther
Year: 1986
Complete Citation:
Schuller, Gunther. “Form, Content, and Symbol.” In Musings: The Musical Worlds of Gunther Schuller, 275-276. New York, NY: Oxford University Press, 1986.Notes:
Discusses absolute music and program music.
Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Scott, Ann Besser
Year: 1994
Complete Citation:
Scott, Ann Besser. “Medieval and Renaissance Techniques in the Music of Charles Ives: Horatio at the Bridge?” Musical Quarterly 78/3 (Fall 1994): 448-478.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses