Image
Complete Citation:
Searle, Humphrey. Twentieth Century Counterpoint, 124-126, 133. London, United Kingdom: Ernest Benn Limited, 1954.
Bibliography
Genres
Searle, Humphrey
Year: 1954
Source: Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Sérgio Luiz Rodrigues Medeiros
Year: 2008
Complete Citation:
Medeiros, Sérgio Luiz Rodrigues. Tótem & sacrificio: (poemas o prosas). Translated to Spanish by Douglas Diegues, Cristino Bogado, y Bernarda Acosta. Asunción, Paraguay: Yiyi Jambo, 2008.Source: Book (of poems)
XIII. Ives in Literature
A. Poetry
A. Poetry
Sites, Michael
Year: 1993
Complete Citation:
Sites, Michael. “Spatiality Revisited in the Music of Charles Ives.” Paper presented at Ives-Copland Festival. University of Northern Colorado, Hensel-Phelps Auditorium and Theater, Greeley, Colorado, October 28-30, 1993.Source: Conference paper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Smith, Kenneth M.
Year: 2011
Complete Citation:
Smith, Kenneth M. “The Tonic Chord and Lacan's Object a in Selected Songs by Charles Ives.” Journal of the Royal Musical Association, vol. 136, no. 2 (2011): 353-398.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Starr, Larry
Year: 1977
Complete Citation:
Starr, Larry. “Charles Ives: The Next Hundred Years — Towards a Method of Analyzing the Music.” The Music Review, Vol. 38, No. 2 (May 1977): 101-111.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Swan, Christopher
Year: Year unlisted
Complete Citation:
Swan, Christopher. “Poem After Hearing Charles Ives’ Concord Sonata.” Publisher and year unlisted.Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Taruskin, Richard
Year: 2009
Complete Citation:
Taruskin, Richard. “Hearing Cycles.” In On Russian Music, 1st ed., 340-356. Berkeley, CA: University of California Press, 2009.Source: Chapter in Book
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Thomson, David
Year: 1990
Complete Citation:
Thomson, David. Silver Light. New York: Alfred A. Knopf, 1990.Source: Book
XIII. Ives in Literature
B. Fiction
B. Fiction
Tibbe, Monika
Year: 1971
Complete Citation:
Tibbe, Monika. “Musik in Musik.” Collagetechnik und Zitierverfahren. In Musica 25/6 (1971): 562-563.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Treider, Leo
Year: 1974
Complete Citation:
Treider, Leo. “Methods, Style, Analysis.” In Report of the Eleventh Congress Copenhagen 1972, Vol. 1, edited by Henrik Claim, Søren Sorensen, and Peter Ryom, 61--70. Copenha-gen, Denmark: Edition Wilhelm Hansen, 1974.Source: Conference Proceeding/Publication
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Waldrep, G.C.
Year: 2009
Complete Citation:
Waldrep, G.C. “Who is Charles Ives.” In Archicembalo: Poems. North Adams, MA: Tupelo Press, 2009.Source: Chapter in Book
XIII. Ives in Literature
A. Poetry
A. Poetry
Weiss, Mark
Year: 1977
Complete Citation:
Weiss, Mark. “A Meditation on Charles Ives.” Boston, MA: Heron Press, 1977.Notes:
Poem with woodcut portrait by Bruce Chandler. Available at the Library of Congress, LC 98192956, Portfolio 313, No. 84, Washington D.C. Also available at the Ephemon Collection, New York Public Library, New York, NY.
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
West, Paul
Year: 1994
Complete Citation:
West, Paul. “A Chocolate Malted for Charles Ives.” Conjunctions, no. 22, (1994): 322-370.Source: Journal
XIII. Ives in Literature
B. Fiction
B. Fiction
Williams, Jonathan
Year: 1975
Complete Citation:
Williams, Jonathan. “Part Two: Essays Before a Sonata.” A Garland for Charles Ives: Special Supplement to Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 353--373.Notes:
An extended poem in outline form, divided into six sections parallel to Ives's Essays Before a Sonata {All}.
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 1975
Complete Citation:
Williams, Jonathan. “A Celestial Centennial Reverie for Charles E. Ives (the Man Who Found Our Music in the Ground).” Parnassus: Poetry in Review 3/2 (Spring/Summer 1975): 350-373.Source: Journal
XIII. Ives in Literature
A. Poetry
A. Poetry
Year: 1975
Complete Citation:
Williams, Jonathan. “A Celestial Centennial Reverie for Charles E. Ives (the Man Who Found Our Music in the Ground).” Parnassus: Poetry in Review 3, no. 2 (Spring/Summer 1975): 350-373.Source: Book
XIII. Ives in Literature
A. Poetry
A. Poetry
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Yother, Mark
Year: 1975
Complete Citation:
Yother, Mark. “Letters to the Editor: Ives Demurrers.” Stereo Review (June 1975) 34/6: 6.Notes:
A poem (very negative in tone) in response to William Anderson's editorial, “Composer Charles Ives Enters History.” <i>Review </i>34/3 <i>(</i>March 1975): 4.
Source: Poem
XIII. Ives in Literature
A. Poetry
A. Poetry
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element inIves’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
no author listed
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses