Image
Complete Citation:
Dickinson, Peter. “Style-modulation as a compositional technique: an inaugural lecture.” London, United Kingdom: Goldsmiths, University of London, 1996.
Bibliography
Genres
Dickinson, Peter
Year: 1996
Source: Book/Lecture
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Dobos, Lora Gingerich
Year: 1986
Complete Citation:
Dobos, Lora Gingerich. “A Technique for Melodic Motive Analysis in Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Notes:
Uses Sonata No. 4 for violin and piano for her example.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Dolbin, Benedikt bred
Complete Citation:
Dolbin, Benedikt bred. Sketch. Eastern Underwriter.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Donner, Gregory
Year: 1984-1985
Complete Citation:
Donner, Gregory. “Ives’s Harmonic Language.” Journal of Musicology 5 (1984-1985): 237-249.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Drew, James
Year: 1968
Complete Citation:
Drew, James. “Information, Space and a New Time-Dialectic.” Journal of Music Theory 12/1 (Spring 1968): 86-103.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Drosd, Nancy
Complete Citation:
Drosd, Nancy. Caricature, 1972. High Fidelity/Musical America 24/10 (October 1974): cover and on the magazine’s advertisements for subscriptions.Notes:
Based on the Adolf E. Brotman sketch and/or a photograph by Halley Erskine.
Source: Illustration
Reprints:
Peer International Corporation for Ives brochures
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Erskine, Halley
Year: 1951
Complete Citation:
Erskine, Halley. Photographs. Spring, 1951. In A Charles Ives Omnibus, by James Mack Burk and Michael J. Budds, 50, 57, and 859-860. Hillsdale, New York: Pendragon Press, 2008.Source: Photograph
Reprints:
The full collection consists of eighty-four photographs of Ives alone or with Mrs. Ives at their West Redding home. Some have appeared as covers of recordings and in magazines as well as in several books. [Date determined from letter from Ms. Erskine to Ives (in the Charles Ives Papers at Yale University) and a letter to Ms. Erskine from Harmony Ives (in the James Mack Burk Col-lection).]
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Fischer-Dischau, Dietrich
Year: 2001
Complete Citation:
Fischer--Dischau, Dietrich. “5. Wortfestival in Lippstadt. 2001.” Item 33; oil painting.Notes:
Based on the Halley Erskine photograph.
Source: Painting
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Forte, Allen
Year: 1992
Complete Citation:
Forte, Allen. “The Diatonic Looking Glass, or An Ivesian Metamorphosis.” Musical Quarterly 16/3 (Fall 1992): 355-382.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Friedlander, Lee
Year: 1960
Complete Citation:
Friedlander, Lee. Ives Country. 1960. In Charles Ives: Symphony No. 2. Columbia, KS 6155, 1960, 33.3 RPM.Source: Photograph
Reprints:
Taken for Columbia record shows many scenes around the Ives home in West Redding, CT. [No original photographs of Ives.]
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Gardner, John
Year: 1967
Complete Citation:
Gardner, John. “Testing Genius by Analysis.” Composer No. 24 (Summer 1967).Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Gerratana, Frank
Year: 1947
Complete Citation:
Gerratana, Frank. Mr. and Mrs. Ives (she is holding a cat, “Christophina”). May, 1947. Photograph. Bridgeport Herald, May 11, 1947, 1.Source: Photograph
Reprints:
Bettman Archive, page 14808. * <i>Music Journal</i> 24/3 (March 1966): 46.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Year: 1947
Complete Citation:
Gerratana, Frank. Ives in front of a bookcase. May, 1947. Photograph. Bettman Archive, p. 11320.Notes:
At the time Gerratana was photographer for the Bridgeport (CT) Herald.
Source: Photograph
Reprints:
Cowell, Henry and Sidney. <i>Charles Ives and His Music</i>, frontispiece. New York, NY: Oxford University Press, 1966.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Year: 1947
Complete Citation:
Gerratana, Frank. Ives by a window. May, 1947. Photograph. Charles Ives: Symphony No. 2. Columbia ML 6289/MS 6889, 33.3 RPM (1960).Source: Photograph
Reprints:
Postcard by Fotofolio (ca. 2006).
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Gilmore, Earl
Year: 1974
Complete Citation:
Gilmore, Earl. Collection of over 500 slides. 1970.Source: Photograph
Reprints:
See announcement “Gilmore’s Ives Slides on Sept. 15.” Redding [CT] Pilot (1974 September 5): 10. Portraying Ives’s life. [No original photographs of Ives.] Shown numerous times.
XVI. Photographs and Artwork
A. Photographs
A. Photographs
Gingerich, Lora Louise
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique of Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1986
Complete Citation:
Gingerich, Lora Louise. “A Technique for Melodic Motivic Analysis in the Music of Charles Ives.” Music Theory Spectrum 8 (1986): 75-93.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Hamilton, William
Year: 1974
Complete Citation:
William Hamilton. Cartoon, 1974. New Yorker 50/34 (October 14, 1974): 44.Source: Cartoon
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Hassard, Ray
Complete Citation:
Hassard, Ray. “Illustration in the form of a baseball card.” American Record Guide 54/4 (July/August 1991): 69.Notes:
Based on a photo-graph by W. Eugene Smith.
Source: Illustration
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Helms, Hans G.
Complete Citation:
Helms, Hans G. “Charles Ives—Hommage zur 100. Geburtstag; 1. Zur Physiognomie eines revolutionären Komponisten und Citoyen; 2. Zum Phänomen der Ungleichzeitigkeit kompositoricher Konzeptionen und ihrer technichen Realiserbarkeit.” Student Musicologists at Minnesota 6 (1975-76): 95-127.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses