Image
Complete Citation:
Iverson, Jennifer. “Creating Space: Perception and Structure in Charles Ives’ Collages.” Music Theory Online, Vol. 17 (2011).
Bibliography
Genres
Iverson, Jennifer
Year: 2011
Source: Journal (online)
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Josephson, Nors S.
Year: 1978
Complete Citation:
Josephson, Nors S. “Charles Ives: Intervallische Permutationen im Spätwerk.” Zeitschrift für Musiktheorie 9/2 (1978): 27-33.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Kitaj, R. B.
Complete Citation:
Kitaj, R.B. Drawing, 1975. Parnassus: Poetry in Review (Spring/Summer 1975): cover.Notes:
Based on a photograph by W. Eugene Smith.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Kramer, Jonathan Donald
Year: 2001
Complete Citation:
Kramer, Jonathan Donald. “Concetti postmoderni di tempo musicale.” Analisi 12 (May 2001): 5-21.Notes:
Regarding “Putnam's Camp.” Includes musi-cal examples, comments, and tables.
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Kramer, Norman
Year: 1974
Complete Citation:
Kramer, Norman. “The First Danbury Historical Poster,” print. Danbury: The Custom Framer (1974).Notes:
A limited edition of 250 silk-screen prints, hand-colored and signed by the artist. Includes a section on Ives in the "Eminent Persons" portion of the poster.
Source: Poster
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Kueffer, Bruce
Year: 2001
Complete Citation:
Kueffer, Bruce. Bronze bust. San Francisco: Davies Symphony Hall. In American Mavericks, edited by Susan Key and Larry Rothe, 4 [photograph]. San Francisco/Berkeley: San Francisco Symphony in co-operation with the University of California Press, 2001.Source: Sculpture
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Kunze, Stefan
Year: 1974
Complete Citation:
Kunze, Stefan. “Raumvorstellungen in der Musik.” Archiv für Musikwissenschaft 31/1 (1974): 1-21.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Lambert, J. Philip
Year: 1990
Complete Citation:
Lambert, J. Philip. “Aggregate Structures in Music of Charles Ives.” Journal of Music Theory 34 (1990): 29-55.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1990
Complete Citation:
Lambert, J. Philip. “Interval Cycles as Compositional Resources in the Music of Charles Ives.” Music Theory Spectrum 12/1 (Spring 1990): 43-82.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1991
Complete Citation:
Lambert, J. Philip. “Ives and Counterpoint.” American Music 9, No. 2 (Summer 1991).Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1993
Complete Citation:
Lambert, J. Philip. “Toward a Theory of Chord Structure for the Music of Charles Ives.” Journal of Music Theory 37/1 (Spring 1993): 55-83.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Levine, David
Year: 1994
Complete Citation:
Levine, David. “Charles Ives,” black and white intaglio etching, 1994. American Academy of Arts and Letters portfolio, 1998.Notes:
Printed by Stephen Sholinsky.
Source: Etching
XVI. Photographs and Artwork
B. Artwork
B. Artwork
[Maloy?], Carl
Year: 1988
Complete Citation:
Maloy, Carl. Sketch, 1988. Cover of an Ives brochure by BMI.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
B. Artwork
McNeely, Tom
Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.Notes:
Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.
Source: Watercolor
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Mesquita, Marcos
Year: 2015
Complete Citation:
Mesquita, Marcos. “Charles Ives and the Superposition Technique.” Musurgia, vol. XXII, no. 2 (2015): 71.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Norkin, Sam
Complete Citation:
Norkin, Sam. Sketch. Saturday Review (August 28) 31/35: 45.Notes:
After the photograph by W. Eugene Smith.
Source: Magazine
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Osborne, Neale
Year: 2004
Complete Citation:
Neale Osborne. Illustration, 2004. Gramophone 82/981, July 2004, 39.Source: Illustration
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Paolozzi, Eduardo
Year: 1974--1977
Complete Citation:
Paolozzi, Eduardo. From Calcium Light Night, nine paint-ings with titles drawn from Ives's compositions, 1974--1977.Notes:
Title of Individual Paintings: <br><br>1. Allegro, moderato: Fireman's Parade (1974-1976). <br><br>2. Central Park in the Dark Some 40 Years Ago (1974-1976). <br><br>3. The Children's Hour (1974-1976). <br><br>4. Largo to Presto (1974-1976). <br><br>5. Aeschylus and Socrates (1974-1976). <br><br>6. Calcium Light Night (1974-1976).<br><br>7. Four German Songs (1974-1976).<br><br>8. From Early Italian Poets (1974--1976). <br><br>9. Nettleton (1977).
Source: Painting Series
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Perison, Harry
Year: 1974
Complete Citation:
Perison, Harry. “The Quarter-Tone System of Charles Ives.” Current Musicology, no. 18 (1974): 96-104.Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Pfaffman, Scott
Year: 1994
Complete Citation:
Pfaffman, Scott. Wooden sculpture of Ives and his father. Sculpture, 1994. Brooklyn, NY Bear’s Community Garden. In “Ives on Flatbush Avenue.” Institute for Studies in American Music Newsletter 23/2 (Spring 1994): 11.Source: Sculpture
Reprints:
Publication in Institute for Studies in American Music Newsletter<i> </i>includes a letter from Siegmund Levarie with a photograph by Ray Allen.
XVI. Photographs and Artwork
B. Artwork
B. Artwork