Image
Complete Citation:
Victor, Jini. Montage. The New York Times, October 20, 1974, sec. D, 21, 26.
Bibliography
Genres
Victor, Jini
Year: 1974
Source: Sculpture
Reprints:
Shown as illustration in the article “Charles Ives, Musical Inventor” by Jonathan Cott.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Von Glahn, Denise
Year: 2008
Complete Citation:
Von Glahn, Denise. “Charles Ives at “Christo's Gates.”” Twentieth Century Music, Vol. 5, No. 2 (2008): 157-178.Source: Journal
XVI. Photographs and Artwork
B. Artwork
B. Artwork
von Kager, Erica
Year: 1977
Complete Citation:
von Kager, Erica. Portrait, oil painting, before 1977.Notes:
Based on a Halley Erskine photograph.
Source: Painting
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Watson, Leda
Year: 1976
Complete Citation:
Watson, Leda. “Homage to Charles Ives,” collage made up of photographs, music pages from the Concord Sonata, “American Music” postage stamp, and other items, ca. 1976.Notes:
Part of a set of 4; 50 numbered, color photograph prints made of each one. The other collages were devoted to Emerson, Hawthorne, and Thoreau [i.e., Concord Sonata, movements].
Source: Collage
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Wood, James
Year: 1986
Complete Citation:
Wood, James. “Microtonality: Aesthetics and Practicality.” Musical Times 127/1720 (June 1986): 328-330.Notes:
Quotes Ives regarding his father’s quarter-tone machine. Also cites Three Quarter-Tone Pieces for two pianos, Chorale for Strings, Symphony No. 4, and “Some Quarter-Tone Impressions.”
Source: Journal
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Zierolf, Robert
Year: 1987
Complete Citation:
Zierolf, Robert. “Discontinuity as the Principal Modern Element inIves’ Music.” Lecture, Meeting of the Central Midwest Theory Society Meeting and Great Plains Chapter of the College Music Society, Manhattan, KS, March 8, 1987.
Source: Lecture/Paper-presentation
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
no author listed
Complete Citation:
W. L. Sketch. Milwaukee Journal Green Sheet. June 23, 1948.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Complete Citation:
Drawing. National Portrait Gallery, Smithsonian Institution, Washington, DC.Notes:
Based on the (double exposure) snapshot of Ives and Mandeville Mullally in their room at Yale University, 76 South Middle Street. The photograph is held in the Charles Ives Papers, Yale University.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Year: 1954
Complete Citation:
Death Mask. Sculptrue, 1954. Danbury, CT: Danbury Museum and Historical Society (formerly Scott--Fanton Museum).Source: Sculpture
Reprints:
In <i>A Charles Ives Omnibus</i>, by James Mack Burk and Michael J. Budds, 59. Hillsdale, New York: Pendragon Press, 2008.
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-tone User.” The New York Times. December 1, 1962, 17.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 1997
Complete Citation:
Various drawings and sketches, 1997. United States Post Office, September 12, 1997.Notes:
Designed for special first- day covers for the United States postage stamp.
Source: Sketches/Drawings
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Year: 2009
Complete Citation:
“Creó El Compositor Charles Ives Una Técnica Innovadora.” Notimex, October 19, 2009.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses
Year: 2010
Complete Citation:
“Continúan vigentes técnicas que incorporó Charles Ives a la música.” Notimex, October 19, 2010.Source: Newspaper
VI. Topical Studies
G. Music Theory Analyses
G. Music Theory Analyses