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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Maus, Fred Everett

Year: 1991
Complete Citation:
Maus, Fred Everett. 1991. “Music as Narrative.” Indiana Theory Review 12: 1-34.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

McClendon, James W.

Year: 1994
Complete Citation:
McClendon, James W. “Charles Edward Ives: Theologian in Music.” In Theomusicology, edited by Jon Michael Spencer. Durham, NC: Duke University Press, 1994.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

McHard, James L.

Year: 2006
Complete Citation:
McHard, James L. Charles Ives. In The Future of Modern Music: A Vibrant New Modernism in Music for the Future. Livonia, MI: Iconic Press, 2006.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Meelberg, Vincent

Year: 2006
Complete Citation:
Meelberg, Vincent. 2006. New Sounds, New Stories: Narrativity in Contemporary Music. Amsterdam, Netherlands: Leiden University Press, 2006.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Mellers, Wilfrid

Year: 1950
Complete Citation:
Mellers, Wilfrid. “American Music and an Industrial Community.” In Music and Society, 191-203. New York: Roy Publishers, 1950.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1975
Complete Citation:
Mellers, Wilfrid. “The Sound of Democracy.” The Times Literary Supplement (January 24, 1975): 81.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Meyer, Felix

Complete Citation:
Meyer, Felix. “Anmerkungen zu Ives’ Sprach- und Denkstil.” In Charles Ives, Ausgewählte Texte, edited by Werner Bärtschi, 19-26. Zurich, Switzerland: Atlantis Musikbuch Verlag, 1993.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1985
Complete Citation:
Meyer, Felix. “Anmerkungen zu Ives’ Sprach- und Denkstil.” In Charles Ives: Ausgewählte Texte, edited by Werner Bärtschi, 19-26. Zürich, Switzerland: Atlantis Musikbuch-Verlag, 1985.
Notes:

[Thoughts on Ives’ Writing and Thinking Style]

Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Meyer, Leonard B.

Year: 1957
Complete Citation:
Meyer, Leonard B. Emotion and Meaning in Music. Chicago, Illinois: The University of Chicago Press, 1957.
Source: Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions
Year: 1967
Complete Citation:
Meyer, Leonard B. Music, the Arts, and Ideas: Patterns and Predic-tions in Twentieth -Century Culture, 200. Chicago, IL: University of Chicago Press, 1967.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Miller, Fred

Year: 1969
Complete Citation:
Miller, Fred. “Ives was a Salesman.” The New York Times, September 28, 1969, D40.
Source: Newspaper
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Miller, Sarah Bryan

Year: 1999
Complete Citation:
Miller, Sarah Bryan. “The Century’s Composers of Note.” St. Louis Post-Dispatch [Arts & Entertainment] (August 1, 1999): 1-2.
Notes:

An alphabetical chart to accompany the writer's article “Assessing Classical Music of the 20th Century.” Chooses The Unanswered Question and Three Places in New England. No mention of Ives in the article.

Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Monelle, Raymond and Robert Hatten

Year: 2000
Complete Citation:
Monelle, Raymond and Robert Hatten. “Allegory and Deconstruction.” In The Sense of Music: Semiotic Essays, 196-226. Princeton, NJ: Princeton University Press, 2000.
Source: Chapter in Book
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nattiez, Jean-Jacques

Year: 1990
Complete Citation:
Nattiez, Jean-Jacques. 1990. “Can One Speak of Narrativity in Music?” Translated by Katharine Ellis. Journal of the Royal Musical Association 115/2 (1990): 240--257.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Neumann, Friedrich

Year: 2010
Complete Citation:
Neumann, Friedrich. “Short Music Story: Charles Ives: Eine Frage ist besser als eine Antwort.” Musik and Bildung: Praxis Musikerziehung, Vol. 42, No. 2 (2010): 64-67.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nicholls, David

Year: 1990
Complete Citation:
Nicholls, David. American Experimental Music 1890-1940. Cambridge, UK: Cambridge University Press, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Niermann, Franz

Year: 1999
Complete Citation:
Niermann, Franz. “Dunkelheit—Musik—Störung.” Musikerziehung 53 (October 1999): 27-32.
Notes:

Discusses Central Park in the Dark.

Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nieuwstadt, Jacques van

Year: 1991
Complete Citation:
van Nieuwstadt, Jacques. “Charles Ives: realisme en pragmatisme (I): Muzikale citaten and Charles Ives, realisme en pragmatisme (II): Vernieuwende nostalgie.” Mens & Melodie 46 (November-December 1991): 601-605 and 47 (January 1992): 13-17.
Source: Journal
VI. Topical Studies
J. Extra-Musical Themes in Ives’s Compositions

Nimczik, Ortwin

Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.
Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles