DuPree, Mary Herron
Year: 1983
Complete Citation:
DuPree, Mary Herron. “The Failure of American Music: The Critical View from the 1920s.” Journal of Musicology 2 (Summer 1983): 305--315.VI. Topical Studies
L. Ives and America
Edwards, Arthur C. and W. Thomas Marrocco
Year: 1968
Complete Citation:
Edwards, Arthur C. and W. Thomas Marrocco. Music in the United States, 123--124, 157. Dubuque, IA: Wm. C. Brown Publishers, 1968.Source: Book
VI. Topical Studies
L. Ives and America
Edwards, Maurice
Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.Notes: Several citations and comments regarding performances of Ives’s music.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Eichler, Jeremy
Year: 2004
Complete Citation:
Eichler, Jeremy. “The American Canon’s Unabashed Patriot.” The New York Times. Janu-ary 28, 2004.Source: Newspaper
VI. Topical Studies
L. Ives and America
Ericson, Raymond
Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Ewen, David
Year: 1942
Complete Citation:
Ewen, David. Music Comes to America, 277, 289. New York, NY: Allen, Towne & Heath, 1947.Notes: Two passing citations. Submits that American music will follow “the futuristic music of Charles Ives.”
Source: Book
VI. Topical Studies
L. Ives and America
Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Farwell, Arthur
Year: 1935
Complete Citation:
Farwell, Arthur. “Pioneering for American Music.” Modern Music 12 (March-April 1935): 116-122.Source: Journal
VI. Topical Studies
L. Ives and America
Faucett, Bill F. (Compiled, prepared, and introduced by)
Year: 2008
Complete Citation:
Faucett, Bill F., ed. Music in America, 1860--1918: Essays, Reviews, and Remarks on Critical Issues. Monographs and Bibliographies in American Music, series edited by Michael J. Budds. Hillsdale, NY: Pendragon Press, 2008.Notes: Cites and quotes from the review of The Celestial Country from the Musical Courier {CI08}.
Source: Book
VI. Topical Studies
L. Ives and America
Ferris, William R. and Mary L. Hart
Year: 1982
Complete Citation:
Ferris, William R. and Mary L. Hart. “Charles Ives: Victorian gentleman or American folk hero?” In Folk music and modern sound. Jackson: University Press of Mississippi, 1982.Source: Chapter in Book
VI. Topical Studies
L. Ives and America
Fink, Lea
Year: 2011
Complete Citation:
Fink, Lea. “Identitäts(Er)Findung Der Amerikanischen Musikgeschichte: Charles Ives.” In Identität - Alterität - Musik, Vol. 4, edited by Annegret Huber et al., 83-98. Vienna, Austria: Hollitzer Verlag, 2011.Source: Journal
VI. Topical Studies
L. Ives and America
Finkelstein, Sydney
Year: 1960
Complete Citation:
Finkelstein, Sydney. Composer and Nation: The Folk Heritage of Music, 237-243. London, United Kingdom: Lawrence & Wishart, 1960.Source: Book
VI. Topical Studies
L. Ives and America
Fletcher, Lucille.
Complete Citation:
Fletcher, Lucille. “A Connecticut Yankee in Music.” Charles Ives Papers. Box 56. Irving S. Gilmore Music Library, Yale University.Notes: Unpublished article for the New Yorker Magazine, Charles Ives Papers at Yale University, Box 56. Nearly every page has additions and corrections in Ives’s hand, and some passages were actually written by Ives.<br>
Source: Unpublished article
VI. Topical Studies
L. Ives and America
Galt, Martha Caroline
Year: 1943
Complete Citation:
Galt, Martha Caroline. Know Your American Music: A Handbook. Augusta, ME: Kennebee Journal Print Shop, 1943.Source: Book
Reprints: Ithaca, NY: National Federation of Music Clubs, 1945.
VI. Topical Studies
L. Ives and America
Gann, Kyle
Year: 1997
Complete Citation:
Gann, Kyle. American Music in the Twentieth Century. New York, NY: Prentice Hall International, 1997.Source: Book
VI. Topical Studies
L. Ives and America
Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Garland, Peter
Year: 1982
Complete Citation:
Garland, Peter. Americas: Essays on American Music and Culture, 1973-80, 32-52, 65-116, 109. Santa Fe, NM: Soundings Press.Notes: In “American Piano: An Appreciation” (32-52), the author appreciates “the Ives piano music, [because of] how its complexity, enclosed in the scope of a keyboard, mirrors that of a full orchestra.” In his “Oaxacan Journal” (65-116), he refers to Tone Roads, From the Steeples and the Mountains, and General William Booth Enters into Heaven and he argues that “Ives totally revolutionized the art song” (109).
Source: Section in Book
VI. Topical Studies
L. Ives and America
Garrett, Charles Hiroshi
Year: 2008
Complete Citation:
Garrett, Charles Hiroshi. Struggling to Define a Nation: American Music and the Twentieth Century. Berkeley, CA: University of California Press, 2008.Source: Book
VI. Topical Studies
L. Ives and America
Geselbacht, Raymond H.
Year: 1974
Complete Citation:
Geselbacht, Raymond H. “Evolution and the New World Vision in the Music of Charles Ives.” Journal of American Studies 8 (1974): 211-227.Source: Journal
VI. Topical Studies
L. Ives and America
Gilmore, Bob
Year: 2014
Complete Citation:
Gilmore, Bob. “Five Maps of the Experimental World.” In Artistic Experimentation in Music: An Anthology, edited by Bob Gilmore and Darla Crispin, 23-30. Leuven, Belgium: Leuven University Press, 2014.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles