Image
decorative banner image

Bibliography

Low, Ruth

Year: 1961
Complete Citation:
Low, Ruth. “Danbury Boyhood Marks Music of Charles Ives.” Danbury News-Times, April 14, 1961, 8.
Source: Newspaper
VI. Topical Studies
N. Ives’ Childhood

Lucier, Alvin

Year: 2012
Complete Citation:
Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

McHard, James L.

Year: 2006
Complete Citation:
McHard, James L. Charles Ives. In The Future of Modern Music: A Vibrant New Modernism in Music for the Future. Livonia, MI: Iconic Press, 2006.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Metzer, David

Year: 1997
Complete Citation:
Metzer, David. “‘We boys': Childhood in the Music of Charles Ives.” 19th Century Music 21/1 (Summer 1997): 77-95.
Source: Journal
VI. Topical Studies
N. Ives’ Childhood
Year: 2003
Complete Citation:
Metzer, David. 2003. “Childhood and Nostalgia in the Works of Charles Ives.” In Quota-tion and Cultural Meaning in Twentieth -Century Music, 15--46. Cambridge, UK: Cambridge University Press, 2003.
Source: Chapter in Book
VI. Topical Studies
N. Ives’ Childhood

Meyer, Leonard B.

Year: 1967
Complete Citation:
Meyer, Leonard B. Music, the Arts, and Ideas: Patterns and Predic-tions in Twentieth -Century Culture, 200. Chicago, IL: University of Chicago Press, 1967.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Miller, Sarah Bryan

Year: 1999
Complete Citation:
Miller, Sarah Bryan. “The Century’s Composers of Note.” St. Louis Post-Dispatch [Arts & Entertainment] (August 1, 1999): 1-2.
Notes:

An alphabetical chart to accompany the writer's article “Assessing Classical Music of the 20th Century.” Chooses The Unanswered Question and Three Places in New England. No mention of Ives in the article.

Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Nicholls, David

Year: 1990
Complete Citation:
Nicholls, David. American Experimental Music 1890-1940. Cambridge, UK: Cambridge University Press, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2011
Complete Citation:
Nicholls, David. “‘The Unanswered Question of Her Son’s Biography’: New Thoughts on Mollie Ives.” Journal of the Society for American Music 5.1 (February 2011): 95-111.
Source: Journal
VI. Topical Studies
N. Ives’ Childhood

Nimczik, Ortwin

Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.
Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

O’Grady, Terence J.

Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Obert, Simon

Year: 2008
Complete Citation:
Obert, Simon. Musikalische Kürze zu Beginn des 20. Jahrhunderts. Stuttgart, Germany: Franz Steiner, 2008.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Oja, Carol J.

Year: 2001
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Osborne, William H.

Year: 1990
Complete Citation:
Osborne, William H. “Charles Ives the Organist.” The American Organist, Vol. 24, No. 7 (1990): 58-64.
Source: Journal
VI. Topical Studies
N. Ives’ Childhood

Overmyer, Grace

Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.
Notes:

An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”

Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Peyser, Joan

Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Piekut, Benjamin

Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.
Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Pleasants, Henry

Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Porter, Andrew

Year: 1974
Complete Citation:
Porter, Andrew. “Songs His Father Taught Him.” New Yorker 50/37, November 4, 1974, 187-190.
Source: Magazine
VI. Topical Studies
N. Ives’ Childhood