Miller, Sarah Bryan
Year: 1999
Complete Citation:
Miller, Sarah Bryan. “The Century’s Composers of Note.” St. Louis Post-Dispatch [Arts & Entertainment] (August 1, 1999): 1-2.Notes: An alphabetical chart to accompany the writer's article “Assessing Classical Music of the 20th Century.” Chooses The Unanswered Question and Three Places in New England. No mention of Ives in the article.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Nardi, Gregorio
Year: 2004
Complete Citation:
Nardi, Gregorio. “Interpretare Ie Interpretazione.” Musica 21/60 (October 2004): 39--42.Source: Journal
VI. Topical Studies
R. Performance Approaches
Nicholls, David
Year: 1990
Complete Citation:
Nicholls, David. American Experimental Music 1890-1940. Cambridge, UK: Cambridge University Press, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Nimczik, Ortwin
Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
O’Grady, Terence J.
Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Obert, Simon
Year: 2008
Complete Citation:
Obert, Simon. Musikalische Kürze zu Beginn des 20. Jahrhunderts. Stuttgart, Germany: Franz Steiner, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Oja, Carol J.
Year: 2001
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Overmyer, Grace
Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.Notes: An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Pearsall, Ronald
Year: 1986-87
Complete Citation:
Pearsall, Ronald. “Ives in Performance.” Music Review 47/1 (1986-87): 24-28.Source: Journal
VI. Topical Studies
R. Performance Approaches
Peyser, Joan
Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Piekut, Benjamin
Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Pleasants, Henry
Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Prendergast, Mark J.
Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Rebner, Wolfgang Edward
Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Reinhard, Johnny
Year: 2005
Source: Online article
VI. Topical Studies
R. Performance Approaches
Rosen, Michael
Year: 2000
Complete Citation:
Rosen, Michael. “Terms Used in Percussion: Another Look at the Rute: Charles Ives and Some Surprises.” Percussive Notes 38 (July 2000): 60-61.Source: Journal
VI. Topical Studies
R. Performance Approaches
Rosenfeld, Paul
Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.Source: Magazine, Book
Reprints: Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1939
Complete Citation:
Rosenfeld, Paul. “A Plea for Improvisation.” Modern Music, Vol. 16, No. 2 (January-February 1939).Source: Journal
VI. Topical Studies
R. Performance Approaches
Ross, Alex
Year: 2004
Complete Citation:
Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.Source: Web Content/Blog
Reprints: Ross, Alex. “Pandemonium: Charles Ives.” <i>New Yorker</i> (June 7, 2004).
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles