Image
Complete Citation:
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.
Bibliography
Genres
Ross, Alex
Year: 2007
Notes:
Several other references. Uses the misquotation of Schoenberg (132) {B0290}.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Ross, Alex and Laurent Slaars
Year: 2010
Complete Citation:
Ross, Alex and Laurent Slaars. The rest is noise: à l'écoute du xxe siècle la modernité en musique. Arles, France: Actes Sud, 2010.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Rossi, Nick
Year: 1969
Complete Citation:
Rossi, Nick. “Charles Ives.” In Music of Our Time, 209-220. Boston, MA: Crescendo Publishing, 1969.Notes:
Includes discussion and anal-ysis of second movement of Symphony No. 4.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Saffle, Michael, ed.
Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Salzman, Eric
Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Schafer, William J.
Year: 1975-1976
Complete Citation:
Schafer, William J. “Introducing Charles Ives: A Multi-Media Experience.” Student Musicologists at Minnesota 6 (1975-76): 5-15.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Scherer, Barrymore Laurence
Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Schlocker, Georges
Year: 1998
Complete Citation:
Schlocker, Georges. “Christoph Marthaler: Memory Resurrected.” Art Press 232 (February 1998): 54-56.Source: Journal
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Schoffman, Nach’m
Year: 1990
Complete Citation:
Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Schrade, Leo
Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.Source: Lecture
Reprints:
Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Seckerson, Edward
Year: 2002
Complete Citation:
Seckerson, Edward. “Potent and Wholly Persuasive Accounts from Hampson and Tilson Thomas of Ives’s Quirky Idiom.” Gramophone, Vol. 79 (2002): 75.Source: Magazine
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Seeger, Charles
Year: 1934
Complete Citation:
Seeger, Charles. “On Proletarian Music.” Modern Music XI 3 (March-April 1934): 121-127.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Shirley, Wayne
Year: 1976
Complete Citation:
Shirley, Wayne. “Ives as an Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 50-52. Coral Gables, FL: University of Miami, 1976.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Sinclair, James
Year: 1998
Complete Citation:
Sinclair, James. “Performing Ives/Ives Performing.” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
VI. Topical Studies
R. Performance Approaches
R. Performance Approaches
Slominsky, Nicolas
Year: 1953
Complete Citation:
Slominsky, Nicolas. “Charles Ives, Musical Rebel.” Américas, (September 1953): 41.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 2005
Complete Citation:
Slominsky, Nicolas. Nicolas Slonimsky: writings on music, Volume 3: Music of the modern era. New York, New York; London, England: Routledge, 2005.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Steiner, George
Year: 1984
Complete Citation:
Steiner, George. “Das totale Fragment.” In Fragment und Totalität, edited by L. Dällenbach and C.L. Hart Nibbrig, 18-29. Frankfurt am Main, Germany: Suhrkamp Verlag, 1984.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Taylor, Davidson
Year: 1938
Complete Citation:
Taylor, Davidson. “Why Not Try the Air?” Modern Music 15 (January-February, 1938): 87.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Teachout, Terry
Year: 1997
Complete Citation:
Teachout, Terry. “The Anti-Modern Modernist.” Commentary 103/5 (May 1997): 55-59.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Thompson, Don
Year: 1970
Complete Citation:
Thompson, Don. “Universe in One Place: A Study of Charles Ives.” In The Yearbook of Discovery, 1970: The Best Creative Work From the Colleges of the United States and Canada, edited by J. Donald Adams, Whit Burnett, and Hallie Burnett. New York, NY: Four Winds Press, 1970.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles