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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Dickinson, Peter

Year: 1974
Complete Citation:
Dickinson, Peter. “A New Perspective for Ives.” The Musical Times 115 (September 1974): 836-8-38.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

DiMaggio, Kenneth

Year: 2013
Complete Citation:
DiMaggio, Kenneth. “Charles Ives: making noise.” In Every page should explode: a genealogy of romantic and post-romantic theory of creativity. Champaign, IL: Common Ground Publishing, 2013.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Downes, Olin

Year: 1925
Complete Citation:
Olin Downes. “Placing the Critics.” The League of Composers’ Review II, 2 (April 1925): 33-35.
Notes:

<i>The League of Composers’ Review</i> was succeeded by <i>Modern Music</i>

Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1946
Complete Citation:
Downes, Olin. “Tardy Recognition.” The New York Times, April 14, 1946, sec. 2, 5.
Source: Newspaper
Reprints:

In <i>Charles Ives and His World</i>, 276-277. Edited by J. Peter Burkholder. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1957 (writings from 1955 and before)
Complete Citation:
Downes, Olin. “The tardy recognition of Charles Ives.” In Olin Downes on music: a selection from his writings during the half-century 1906 to 1955, edited by Irene Downes. New York, NY: Simon and Schuster, 1957.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Dwinell, Paul

Year: 1964
Complete Citation:
Dwinell, Paul. “The Resurrection of Charles E. Ives.” Listen 1/5 (Septem-ber-October): 15--16.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Edwards, Maurice

Year: 2006
Complete Citation:
Edwards, Maurice. How Music Grew in Brooklyn: A Biography of the Brooklyn Philharmonic Orchestra. Lanham, MD: Scarecrow Press, 2006.
Notes:

Several citations and comments regarding performances of Ives’s music.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Eidenbenz, Michael

Year: 2004
Complete Citation:
Eidenbenz, Michael. “Zum ernsthaften Komponisten geweiht.” Dissonanz (2004): 55-56.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Elliott Schwartz and Barney Childs, eds.

Year: 1967
Complete Citation:
Elliott Schwartz and Barney Childs, eds. Contemporary Composers on Contemporary Music. New York, NY: Holt, Rinehart and Winston, 1967.
Source: Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Ericson, Raymond

Year: 1964
Complete Citation:
Ericson, Raymond. “Charles Ives: After 55 Years, Still Avant-Garde.” The New York Times, May 24, 1964, sec. 2, 113, 18.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ewen, David

Year: 1950
Complete Citation:
Ewen, David. “The Belated Discovery of Charles Ives.” Tomorrow 9/9 (May 1950): 10-14.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 1971
Complete Citation:
Ewen, David. Composers of tomorrow’s music: a non-technical introduction to the musical avant-garde movement. Westport, CT: Greenwood Press, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Feder, Stuart

Year: 2001
Complete Citation:
Feder, Stuart. “Coloquy: Heard Maladies Are Sweet (‘But Those Unheard Are Sweeter’): A Response to Gayle Sherwood.” Journal of the American Musicological Society 54, no. 3 (Fall 2001): 627--641.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fiender, Reinhard

Year: 2004
Complete Citation:
Flender, Reinhard. “Charles E. Ives: Genie oder Maverick? Anmerk-ungen zum Schaffensprozeß und zur Rezeptionsgeschichte.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 25-34. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Finn, Geraldine

Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference in the Case of Charles Ives.” New Sound 18 [Yugoslavia]: 49-62.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2001
Complete Citation:
Finn, Geraldine. “Music, Identity, and Difference. In the Case of Charles Ives.” New Sound, Vol. 18 (2001): 49-62.
Source: Magazine
VI. Topical Studies
S. Reception Studies and Related Scholarship

Fosler-Lussier, Danielle

Year: 2019
Complete Citation:
Fosler-Lussier, Danielle. “Classical Music as Development Aid.” In Music in America’s Cold War Diplomacy. Berkeley, California: University of California Press, 2015.
Source: Chapter in Book
VI. Topical Studies
S. Reception Studies and Related Scholarship

Gann, Kyle

Year: 2004
Complete Citation:
Gann, Kyle. “Music: “Call It Special - American Influences Advance on the European Continent.”” The Village Voice, Vol. 49, No. 18 (2004): 93.
Source: Newspaper
VI. Topical Studies
S. Reception Studies and Related Scholarship
Year: 2019
Complete Citation:
Gann, Kyle. “The Eleven Limit and the Fourth Dimension.” In The Arithmetic of Listening: Tuning Theory and History for the Impractical Musician, 138-140. Urbana, IL: University of Illinois Press, 2019.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Gilmore, Bob

Year: 1996
Complete Citation:
Gilmore, Bob. “Reinventing Ives.” Music Analysis 19/1 (March 2000): 101-123.
Source: Journal
VI. Topical Studies
S. Reception Studies and Related Scholarship