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Bibliography

Nimczik, Ortwin

Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.
Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Noroa, Daniel Quiroga

Year: 1996
Complete Citation:
Noroa, Daniel Quiroga. “Creadon Musical Chilena: Encargo ‘Charles Ives’ para Compositores.” Revista musical chilena 50 (July-December 1996): 85-85.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy

O’Grady, Terence J.

Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Obert, Simon

Year: 2008
Complete Citation:
Obert, Simon. Musikalische Kürze zu Beginn des 20. Jahrhunderts. Stuttgart, Germany: Franz Steiner, 2008.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Oja, Carol J.

Year: 2001
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Overmyer, Grace

Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.
Notes:

An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”

Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Peyser, Joan

Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Piekut, Benjamin

Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.
Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Pleasants, Henry

Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Prendergast, Mark J.

Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rebner, Wolfgang Edward

Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.
Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rosenfeld, Paul

Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.
Source: Magazine, Book
Reprints:

Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ross, Alex

Year: 2004
Complete Citation:
Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.
Source: Web Content/Blog
Reprints:

Ross, Alex. “Pandemonium: Charles Ives.” <i>New Yorker</i> (June 7, 2004).

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.
Notes:

Several other references. Uses the misquotation of Schoenberg (132) {B0290}.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ross, Alex and Laurent Slaars

Year: 2010
Complete Citation:
Ross, Alex and Laurent Slaars. The rest is noise: à l'écoute du xxe siècle la modernité en musique. Arles, France: Actes Sud, 2010.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rossi, Nick

Year: 1969
Complete Citation:
Rossi, Nick. “Charles Ives.” In Music of Our Time, 209-220. Boston, MA: Crescendo Publishing, 1969.
Notes:

Includes discussion and anal-ysis of second movement of Symphony No. 4.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rothstein, Edward

Year: 1980
Complete Citation:
Rothstein, Edward. “Ives Country.” The New York Times, August 22, 1980, sec. C, 8.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Saffle, Michael, ed.

Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Salzman, Eric

Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Sanders, Donald

Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy