Albrecht, Henning, Benjamin Scheuer and Christian Schmidt
Year: 2009
Complete Citation:
Albrecht, Henning, Benjamin Scheuer and Christian Schmidt. Von Charles Ives zur New York School: US-amerikanische Avantgarde im 20. Jahrhundert; Programmbuch zum Seminar am Musikwissenschaftlichen Institut der Universität Hamburg, Sommersemester 2009. Hamburg, Germany: Musikwissenschaftlichen Institut der Universität Hamburg, 2009.Source: Pamphlet
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Archabal, Nina
Year: 1974
Complete Citation:
Archabal, Nina. “Ives Festivals at Minnesota, Spring 1971 and 1972.” Cur-rent Musicology 18 (1974): 43-45.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Bemlef, J.
Year: 1974
Complete Citation:
Bemlef, J. “On Charles Ives and Wild Gardening.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 232-238. Music in American Life. Urbana, Illinois: University of Illinois Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Boody, Charles G. And Margaret Snell
Year: 1971
Complete Citation:
Boody, Charles G., and Margaret Snell. “The Charles Ives Festival, Spring 1970: Reflections.” Current Musicology 11 (May 1971): 57-58.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Boulez, Pierre
Year: 1974
Complete Citation:
Boulez, Pierre. “Mini-Festival Around Ives.” Stagebill 2/2 (October 1974): 31.Source: Magazine
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Brandt, Maarten
Year: 2002
Complete Citation:
Brandt, Maarten. “Klinkende Alchemie.” Mens en Melodie, Vol. 57, No. 5 (2002): 170-172.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Brooks, William
Year: 1977
Complete Citation:
Brooks, William. “Ives Today.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 209-23. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Brown, Marshall
Year: 1992
Complete Citation:
Brown, Marshall. “Origins of Modernism: Musical Structures and Narrative Forms.” In Music and Text: Critical Inquiries, edited by Steven Paul Scher, 75--92. Cambridge, UK: Cambridge University Press, 1992.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Bruce, Neely
Year: 1977
Complete Citation:
Bruce, Neely. “Ives and Nineteenth-Century American Music.” In An Ives Celebration: Papers and Panels of the Charles Ives Centennial Festival-Conference, edited by H. Wiley Hitchcock and Vivian Perlis, 29-43. Urbana, IL: University of Illinois Press, 1977.Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Burkholder, J. Peter
Year: 1988
Complete Citation:
Burkholder, J. Peter. “Charles Ives the Avantgardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “CharIes Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988,” edited by Klaus W. Niemöller, 164, 37-52. Regensburg, Germany: Kölner Beiträge zur Musikforschung, 1990.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1990
Complete Citation:
Burkholder, J. Peter. “Chalres Ives the Avant-Gardist, Charles Ives the Traditionalist.” In Bericht über das Internationale Symposion “Charles Ives und die amerikanische Musiktradition bis zur Gegenwart,” Köln 1988, edited by Klaus Wolfgang Niemöller, Manuel Gervink, and Paul Terse. Regensburg: Gustav Bosse Verlag, 1990.Source: Chapter in Book
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Burkholder, J. Peter, ed.
Year: 1996
Complete Citation:
Burkholder, J. Peter, ed. Charles Ives and His World Festival, Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18.Notes: Seventh in Bard College’s annual "Rediscoveries" series.
Source: Festival Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Buschmeier, Gabriele, Ulrich Konrad, and Albrecht Riedmüller, eds.
Year: 2008
Complete Citation:
Buschmeier, Gabriele, Ulrich Konrad, and Albrecht Riedmüller, eds. Transkription und Fassung in der Musik des 20. Jahrhunderts: Beiträge des Kolloquiums in der Akademie der Wissenschaften und der Literatur, Mainz, vom 5. bis 6. März 2004. Stuttgart, Germany: Franz Steiner Verlag, 2008. Source: Conference Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Bylander, Cindy
Year: 2014
Complete Citation:
Bylander, Cindy. “Charles Ives and Poland’s Stalowa Wola Festival: Inspirations and Legacies.” The Polish Review, vol. 59, no. 2 (2014): 43-60.Source: Journal
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Cameron, Catherine M.
Year: 1996
Complete Citation:
Cameron, Catherine M. Dialectics in the Arts: The Rise of American Experimentalism in American Music. Westport, CT: Praeger Publishers, 1996.Notes: In a dis-cussion of Ives's life (p. 21-22) and works (p. 43-49), the author cites quo-tations from several other sources. Musical examples taken from <i>Three Places in New England</i>; Symphonies Nos. 1-4; <i>Concord Sonata</i>; and <i>Essays Before a Sonata. </i>
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Carter, Elliott
Year: 1946
Complete Citation:
Carter, Elliott. “Notes on the Program: Charles Ives.” Program notes for Second Annual Festival of Contemporary American Music, 6-10. Columbia University, New York, May 10-13, 1946.Source: Program Notes/Festival Publication
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
A. Festivals/Conferences
Cazé, Antoine and Adam Marks
Year: 2008
Complete Citation:
Cazé, Antoine and Adam Marks. Les musiques savantes américaines: questions d’esthétique. Paris, France: Belin, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Citkowitz, Israel
Year: 1932
Complete Citation:
Citkowitz, Israel. “Experiment and Necessity—New York 1932.” Modern Music 10/2 (January 1932).Source: Journal
Reprints: Citkowitz, Israel. “Experiment and Necessity—New York 1932.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder, 307. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Clarke, Gary E.
Year: 1977
Complete Citation:
Clarke, Gary E. “Charles Edward Ives.” In Essays on American Music. Westport, CT: Greenwood Press, 1977.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Conn, Peter
Year: 1983
Complete Citation:
Conn, Peter. “Innovation and Nostalgia: Charles Ives.” In The Divided Mind: Ideology and Imagination in America, 1898-1917, 230-250. Cambridge, UK: Cambridge University Press, 1983.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
