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Bibliography

Rathert, Wolfgang

Year: 2015
Complete Citation:
Rathert, Wolfgang. “Charles E. Ives “Symphony No. 4.”” Die Musikforschung, Vol. 68, No. 2 (2015): 218-221.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Rebner, Wolfgang Edward

Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.
Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Reyes, James E.

Year: 1966
Complete Citation:
Reyes, James E. “Reviewed Work: They Are There! A War Song March, 1917 by Charles E. Ives.” Notes, vol. 20, no. 4 (Autumn 1963): 565-566.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Ring, Gordon

Year: 1991
Complete Citation:
Gordon, Ring. “Variations on ‘America'—A Comparison of Three Versions.” Paper presented at Contemporary Music Festival: The Life and Works of Charles Ives. Longwood College, Department of Music, Farmville, Virginia, October 24-25, 1991.
Source: Conference paper
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Rosenfeld, Paul

Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.
Notes:

Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”

Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.
Source: Magazine, Book
Reprints:

Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ross, Alex

Year: 2004
Complete Citation:
Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.
Source: Web Content/Blog
Reprints:

Ross, Alex. “Pandemonium: Charles Ives.” <i>New Yorker</i> (June 7, 2004).

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.
Notes:

Several other references. Uses the misquotation of Schoenberg (132) {B0290}.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ross, Alex and Laurent Slaars

Year: 2010
Complete Citation:
Ross, Alex and Laurent Slaars. The rest is noise: à l'écoute du xxe siècle la modernité en musique. Arles, France: Actes Sud, 2010.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rossi, Nick

Year: 1969
Complete Citation:
Rossi, Nick. “Charles Ives.” In Music of Our Time, 209-220. Boston, MA: Crescendo Publishing, 1969.
Notes:

Includes discussion and anal-ysis of second movement of Symphony No. 4.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Rudgers, Gregory B.

Year: 2015
Complete Citation:
Rudgers, Gregory B. “Variations on “America,” by Charles Ives, Transcribed by William E. Rhoads, Based on the Orchestra Version by William Schuman.” School Band and Orchestra, Vol. 18, No. 8 (2015): 53.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Sabin, Robert

Year: 1949
Complete Citation:
Sabin, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America (June 1949) 49/8: 28.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Saffle, Michael, ed.

Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Salzman, Eric

Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Sapp, Allen

Year: 1955
Complete Citation:
Sapp, Allen. “String Quartet No. 2.” Notes 12, no. 4 (June 1955): 489-492.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
A. Editing Practices

Schaefer, Theodore

Year: 1950
Complete Citation:
Schaefer, Theodore. “1. Chanson de Florian. 2. It Strikes Me That... 3. The Light That Is Felt.” Notes 7, no. 4 (September 1950): 636-637.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Scherer, Barrymore Laurence

Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schoffman, Nach’m

Year: 1990
Complete Citation:
Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schrade, Leo

Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.
Source: Lecture
Reprints:

Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Seeger, Charles

Year: 1934
Complete Citation:
Seeger, Charles. “On Proletarian Music.” Modern Music XI 3 (March-April 1934): 121-127.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles