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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

McHard, James L.

Year: 2006
Complete Citation:
McHard, James L. Charles Ives. In The Future of Modern Music: A Vibrant New Modernism in Music for the Future. Livonia, MI: Iconic Press, 2006.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Mellers, Wilfrid

Year: 1969
Complete Citation:
Mellers, Wilfrid. “Pre-sonata Ives.” Musical Times (July 1969) 110/1517: 744-745.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Meyer, Alice

Year: 2010
Complete Citation:
Meyer, Alice. “Reviews: Music Reviews - “Three Songs.”” The Clarinet, Vol. 37, No. 3 (2010): 74-75.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Meyer, Leonard B.

Year: 1967
Complete Citation:
Meyer, Leonard B. Music, the Arts, and Ideas: Patterns and Predic-tions in Twentieth -Century Culture, 200. Chicago, IL: University of Chicago Press, 1967.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Miller, Philip L.

Year: 1955
Complete Citation:
Miller, Philip L. “Ives Songs.” The American Record Guide 21, no. 11 (July 1955).
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Miller, Sarah Bryan

Year: 1999
Complete Citation:
Miller, Sarah Bryan. “The Century’s Composers of Note.” St. Louis Post-Dispatch [Arts & Entertainment] (August 1, 1999): 1-2.
Notes:

An alphabetical chart to accompany the writer's article “Assessing Classical Music of the 20th Century.” Chooses The Unanswered Question and Three Places in New England. No mention of Ives in the article.

Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Mixdorf, Cory

Year: 2012
Complete Citation:
Mixdorf, Cory. “Reviews: Solo Materials - Charles Ives: “Four Songs.”” ITA Journal, Vol. 40, No. 3 (2012): 42.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Nelson, Mark D.

Year: 2011
Complete Citation:
Nelson, Mark D. “New Materials - Reviews: Tuba - “Four Songs,” by Charles Ives.” ITEA Journal, Vol. 38, No. 2 (2011): 17-18.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Nemet, Mary

Year: 2017
Complete Citation:
Nemet, Mary. “Charles Ives: String Quartet No. 2.” Strings, vol. 31. (2017).
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Newman, William S.

Year: 1954
Complete Citation:
Newman, William S. Review of “Charles Ives: First Sonata for Piano.” Notes 12, no. 2 (March 1955): 331.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Nicholls, D.

Year: 2006
Complete Citation:
Nicholls, David. Review of Charles Ives, 129 Songs, edited by H. Wiley Hitchcock. Notes, Vol. 62, No. 3 (2006): 794-796.
Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Nicholls, David

Year: 1990
Complete Citation:
Nicholls, David. American Experimental Music 1890-1940. Cambridge, UK: Cambridge University Press, 1990.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1996
Complete Citation:
Nicholls, David. “Transethnicism and the American Experimental Tradi-tion.” Musical Quarterly 80 (Winter 1996): 569-594.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2006
Complete Citation:
Nicholls, David. “Music Reviews: Critical Editions: Charles Ives.” Notes (2006): 794-796.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Nimczik, Ortwin

Year: 1996
Complete Citation:
Nimczik, Ortwin. “Bibliothek: “Visionen und Aufbrüche, Zur Krise der modernen Musik 1908-1933,” Hrsg. von Günther Metz.” Musik & Bildung: Praxis Musikerziehung, Vol. 28, No. 6 (1996): 58-59.
Source: Journal (book review)
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Noss, Luther

Year: 1950
Complete Citation:
Noss, Luther. Review of “Charles Ives: Variations on ‘America’ (1891); ‘Adeste Fideles’ in an Organ Prelude (1897).” Notes 7, no. 3 (June 1950): 446.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

O’Grady, Terence J.

Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Obert, Simon

Year: 2008
Complete Citation:
Obert, Simon. Musikalische Kürze zu Beginn des 20. Jahrhunderts. Stuttgart, Germany: Franz Steiner, 2008.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Oja, Carol J.

Year: 2001
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Overmyer, Grace

Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.
Notes:

An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”

Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles