Panting, Tim
Year: 2001
Complete Citation:
Panting, Tim. “Exiled.” Classical Guitar, Vol. 19, No. 12 (2001): 44.Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Pellegrino, Joe
Year: 1996
Complete Citation:
Pellegrino, Joe. “Choral Recitative Reviews: “Shall We Gather at the River?” arr. Robert H. McIver.” Pastoral Music, Vol. 20, No. 4 (1996): 43.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Pershchetti, Vincent
Year: 1953
Complete Citation:
Pershchetti, Vincent. “Review of ‘Largo for Violin, Clarinet, and Piano.’” Music Library Association Notes, Vol. 11, No. 6 (December 1953).Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Persichetti, Vincent
Year: 1953
Complete Citation:
Persichetti, Vincent. Review of “Largo, for Violin, Clarinet, Piano.” Notes 11, no. 6 (December 1953): 157.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Peyser, Joan
Year: 1971
Complete Citation:
Joan Peyser. The New Music: The Sense behind the Sound. New York, NY: Delacorte, 1971.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Piekut, Benjamin
Year: 2019
Complete Citation:
Piekut, Benjamin. “Introduction: What Was Experimentalism?” In Experimentalism Otherwise. Berkeley, California: University of California Press, 2019.Source: Newsletter
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Pleasants, Henry
Year: 1955
Complete Citation:
Pleasants, Henry. The Agony of Modern Music. New York, NY: Simon and Schuster.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Prendergast, Mark J.
Year: 2003
Complete Citation:
Prendergast, Mark J. “Charles Ives.” In The Ambient Century: from Mahler to Moby: the Evolution of Sound in the Electronic Age. New York, NY: Bloomsbury, 2003.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Rathert, Wolfgang
Year: 2015
Complete Citation:
Rathert, Wolfgang. “Charles E. Ives “Symphony No. 4.”” Die Musikforschung, Vol. 68, No. 2 (2015): 218-221.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Rebner, Wolfgang Edward
Year: 1954
Complete Citation:
Rebner, Wolfgang Edward. “American Experimental Music.” Lecture at Internationale Ferienkurse für Neue Musik, Darm-stadt, Germany, 1954.Source: Lecture
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Reyes, James E.
Year: 1966
Complete Citation:
Reyes, James E. “Reviewed Work: They Are There! A War Song March, 1917 by Charles E. Ives.” Notes, vol. 20, no. 4 (Autumn 1963): 565-566.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Rosenfeld, Paul
Year: 1931
Complete Citation:
Rosenfeld, Paul. “New American Music.” Scribner’s 89/6 (June 1931): 624--632.Notes: Only one cursory mention that “Virgil Thomson, Charles F. <i>[sic] </i>Ives, and Adolph Weiss have each something personal to say.”
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1932, 1996
Complete Citation:
Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” New Republic 71 (20 July 1932): 262-64.Source: Magazine, Book
Reprints: Rosenfeld, Paul. “Charles E. Ives, Pioneer Atonalist.” In <i>Charles Ives and His World</i>, edited by J. Peter Burkholder 363-367. Princeton, NJ: Princeton University Press, 1996.
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Ross, Alex
Year: 2004
Complete Citation:
Ross, Alex. “Pandemonium: Charles Ives.” The Rest is Noise. May 31, 2004.Source: Web Content/Blog
Reprints: Ross, Alex. “Pandemonium: Charles Ives.” <i>New Yorker</i> (June 7, 2004).
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2007
Complete Citation:
Ross, Alex. The Rest Is Noise: Listening to the Twentieth Century, 130--135. New York, NY: Farrar, Straus and Giroux, 2007.Notes: Several other references. Uses the misquotation of Schoenberg (132) {B0290}.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Ross, Alex and Laurent Slaars
Year: 2010
Complete Citation:
Ross, Alex and Laurent Slaars. The rest is noise: à l'écoute du xxe siècle la modernité en musique. Arles, France: Actes Sud, 2010.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Rossi, Nick
Year: 1969
Complete Citation:
Rossi, Nick. “Charles Ives.” In Music of Our Time, 209-220. Boston, MA: Crescendo Publishing, 1969.Notes: Includes discussion and anal-ysis of second movement of Symphony No. 4.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Rudgers, Gregory B.
Year: 2015
Complete Citation:
Rudgers, Gregory B. “Variations on “America,” by Charles Ives, Transcribed by William E. Rhoads, Based on the Orchestra Version by William Schuman.” School Band and Orchestra, Vol. 18, No. 8 (2015): 53.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Sabin, Robert
Year: 1949
Complete Citation:
Sabin, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America (June 1949) 49/8: 28.Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Saffle, Michael, ed.
Complete Citation:
Saffle, Michael, ed. Perspectives on American music, 1900-1950. New York, NY: Routledge, 2000.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles