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Bibliography

Salzman, Eric

Year: 1964
Complete Citation:
Salzman, Eric. “Modern Music in Retrospect.” Perspectives of New Music 2/2 (Spring--Summer): 14-20.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schaefer, Theodore

Year: 1950
Complete Citation:
Schaefer, Theodore. “1. Chanson de Florian. 2. It Strikes Me That... 3. The Light That Is Felt.” Notes 7, no. 4 (September 1950): 636-637.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Scherer, Barrymore Laurence

Year: 2007
Complete Citation:
Scherer, Barrymore Laurence. New England Iconoclast: Charles Ives. Naperville, IL: Sourcebooks, 2007.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schoffman, Nach’m

Year: 1990
Complete Citation:
Schoffman, Nachum. From Chords to Simultaneities: Chordal Indetermi-nacy and the Failure of Serialism, 51-52, 57, 61-62 and 64. Contributions to the Study of Music and Dance, No. 17. Westport, CT: Greenwood Press, 1990.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Schrade, Leo

Year: 1955
Complete Citation:
Schrade, Leo. “Ives: Phenomenon of Modern Music.” The Trumbull Lecture, New Haven; Yale University, January 17, 1955.
Source: Lecture
Reprints:

Schrade, Leo. “Charles E. Ives: 1874-1954.” <i>Yale Review</i> 44/4 (June 1955): 535-545.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Seeger, Charles

Year: 1934
Complete Citation:
Seeger, Charles. “On Proletarian Music.” Modern Music XI 3 (March-April 1934): 121-127.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1950
Complete Citation:
Seeger, Charles. Review of “Hallowe’en, from ‘Three Outdoor Scenes,’ for 2 violins, viola, cello, piano.” Notes 7, no. 3 (June 1950): 432.
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Shirley, Wayne

Year: 1976
Complete Citation:
Shirley, Wayne. “Ives as an Innovator.” In South Florida's Historic Ives Festival, 1974-1976, 50-52. Coral Gables, FL: University of Miami, 1976.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Siebert, Mark

Year: 1957
Complete Citation:
Siebert, Mark. “Psalm XXIV.” Notes 14, no. 4 (September 1957): 618-619.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1963
Complete Citation:
Siebert, Mark. “They Are There: A War Song March, 1917.” Notes 20, no. 4 (1963): 565-566.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Slominsky, Nicolas

Year: 1953
Complete Citation:
Slominsky, Nicolas. “Charles Ives, Musical Rebel.” Américas, (September 1953): 41.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2005
Complete Citation:
Slominsky, Nicolas. Nicolas Slonimsky: writings on music, Volume 3: Music of the modern era. New York, New York; London, England: Routledge, 2005.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Smith, Rollin

Year: 2013
Complete Citation:
Smith, Rollin. “Music Review: Charles E. Ives: Complete Organ Music.” The American Organist, Vol. 47, No. 1 (2013): 82-83.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Snedeker, Jeffrey

Year: 2014
Complete Citation:
Snedeker, Jeffrey. “Music and Book Reviews: “Five Songs of Charles Ives,” arranged for horn and piano by Ian Zook.” The Horn Call: Journal of the International Horn Society, Vol. 44, No. 2 (2014): 78.
Source: Journal (edition review)
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Starr, Larry

Year: 1991
Complete Citation:
Starr, Larry. “Review of ‘Decoration Day’ by Charles Ives.” Notes 47/3 (March 1991): 959-961.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Steiner, George

Year: 1984
Complete Citation:
Steiner, George. “Das totale Fragment.” In Fragment und Totalität, edited by L. Dällenbach and C.L. Hart Nibbrig, 18-29. Frankfurt am Main, Germany: Suhrkamp Verlag, 1984.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Stevens, Halsey

Year: 1954
Complete Citation:
Stevens, Halsey. Review of “Scherzo (Over the Pavements). For chamber orchestra. Performable also as chamber music.” Notes 12, no. 2 (December 1954): 326.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Stevenson, Robert

Year: 1949
Complete Citation:
Stevenson, Robert. “Choral and Piano Works by Charles Ives Issued.” Musical America, Vol. 69 (June 1949).
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Stone, Kurt

Year: 1964
Complete Citation:
Stone, Kurt. Review of Charles Ives: Washington’s Birthday. Hallowe’en; The Pond; Central Park in the DarkThe Musical Quarterly, vol. 50, no. 1, 1964, 115-122.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Swift, Richard

Year: 1974
Complete Citation:
Swift, Richard. “Charles Ives: Study No. 22 for Piano, edited by John Kirkpatrick.” Notes 31, no. 1 (September 1974): 158-159.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions