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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Wilder, Robert D.

Year: 1969
Complete Citation:
Wilder, Robert D. Twentieth--Century Music, 95-98. Brown Music Horizons Series. Dubuque, IA: Wm. C. Brown, 1969.
Notes:

Includes other passing refer-ences.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Wilson, Richard

Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Woodward, Henry

Year: 1956
Complete Citation:
Woodward, Henry. “Processional: Let There Be Light.” Notes 13, no. 2 (March 1956): 349.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Yellin, Victor Fell

Year: 1974
Complete Citation:
Yellin, Victor Fell. “Review of The Celestial Country by Charles Ives.” Musical Quarterly LX, (July 3, 1974): 500-508.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

Zobel, Mark

Year: 2009
Complete Citation:
Zobel, Mark. “The Third Symphony of Charles Ives.” In CMS Sourcebook in American Music. Hillsdale, NY: Pendragon Press, 2009.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions

no author listed

Year: 1922
Complete Citation:
“Here’s a Chance to Get a Nice Songs Book Free.” The Sun (New York), August 29, 1922, 19.
Source: Magazine
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Publicaciones recibidas.” Musicalia [Havana] 1/5 (March-April 1929): 230.
Notes:

Citations for Ives’s publications received: <i>114 Songs; 50 Songs; </i>a “Pot Pourri” from Scherzo (from Sonata No. 1 for piano); Four Transcrip-tions from "Emerson" (from Sonata No. 2, "Concord, Mass., 1840- 1860" for piano); Sonata No. 1 for violin and piano, and <i>Essays Before </i>a Sonata.

Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1929
Complete Citation:
“Recent Publications. New Music (January 1929).” Musical Courier 98, no. 10 (March 7, 1929): 46.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1934
Complete Citation:
“Leader of Modem School.” Duluth News Tribune. August 12, 1934, 2.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1936
Complete Citation:
“Ives was a Path Breaker.” In 100 Years of Musical Progress in America. October 12, 1936. New York, NY: French Institute.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1953
Complete Citation:
“Violin Sonata No. 1.” Musical Courier 148, no. 2 (September 1953): 33.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1953
Complete Citation:
“Violin Sonata No. 1.” Musical Courier 148, no. 2 (September 1953): 33.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-Tone User.” The New York Times, December 1, 1962, 16.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1965
Complete Citation:
“The Right ‘Wrong’ Notes of Charles E. Ives.” House Beautiful (Janu-ary 1965) 108/1: 116-117, 124--125.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1968
Complete Citation:
“Which way contemporary music?” Cornell University Music Review 11 (1968): 3-13.
Source: Journal
Reprints:

“Which way contemporary music?” <i>Composer</i> (Spring 1982): 6-12.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1974
Complete Citation:
“Ives the Innovator.” Time 104/19, November 4, 1974, 85, 87, 89-90.
Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1976
Complete Citation:
“Charles Ives: Master of Strange Harmonies: Making Music.” South China Morning Post, May 21, 1976, 11.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1987
Complete Citation:
Ivesiana. Newsletter - Institute for Studies in American Music XVI, no. 2 (Spring 1987): 3.
Source: Journal
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions
Year: 2007
Complete Citation:
“Con Nuevas Técnicas Charles Ives Innovó La Música Del Siglo XX.” Notimex, October 19, 2007.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 2011
Complete Citation:
Dickinson, Peter. “The Third Symphony of Charles Ives (review).” Music & Letters, vol. 92, no. 1 (2011): 168-171.
X. Editing Practices and Articles Regarding Published Editions
B. Reviews and Announcements of Published Editions