North, James H.
Year: 2007
Complete Citation:
North, James H. “Classical Recordings: Ives - Symphonies: No. 1; No. 4; “Central Park in the Dark”; Ives - Symphonies: No. 2, No. 3, “The Camp Meeting”; “General William Booth Enters into Heaven.”” Fanfare 30, no. 4, (March 2007): 145-147.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Northcutt, Bayan
Year: 2015
Complete Citation:
Northcutt, Bayan. “CD Review: Ives, Berg, Webern Piano Sonatas.” BBC Music Magazine, Vol. 23, No. 13 (2015): 109.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Noss, Luther
Year: 1950
Complete Citation:
Noss, Luther. “Review of ‘Variations on America, [etc.].’” Music Library Association Notes, Second Series, Vol. 7, No. 3 (June 1950).Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
O’Grady, Terence J.
Year: 1993
Complete Citation:
O’Grady, Terence J. “Critical Perspectives in Early 20th-century American Avant-Garde Composers.” Journal of Aesthetic Education 27/2 (Summer 1993): 15-28.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
O’Regan, Tarik
Year: 2002
Complete Citation:
O’Regan Tarik. “Review: Musical Releases: Classical CD of the Week.” The Observer (London, England), May 26, 2002, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
O'Reilly, Warren
Year: 1999
Complete Citation:
O’Reilly, Warren. “Frederick Fennell: He's Called the Godfather of Wind Bands.” American Record Guide, Vol. 62, No. 3 (1999): 22-23, 240.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Obert, Simon
Year: 2008
Complete Citation:
Obert, Simon. Musikalische Kürze zu Beginn des 20. Jahrhunderts. Stuttgart, Germany: Franz Steiner, 2008.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Oestreich, James
Year: 1997
Complete Citation:
Oestreich, James R. “Questing Spirit, Well Met.” The New York Times. 1997: C16.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Oestreich, James R.
Year: 1994
Complete Citation:
Oestreich, James R. “MUSIC REVIEW; Trio Plus One Takes on Charles Ives: Review.” The New York Times, August 30, 1994.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2000
Complete Citation:
Oestreich, James R. “Varese's Memorable 'Ameriques' vs. Ives's Fourth.” The New York Times, May 1, 2000, sec. E, 5. Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2002
Complete Citation:
Oestreich, James R. “Multiple Bands on Parade, Not Afraid to Collide: Review.” The New York Times, August 20, 2002.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2003
Complete Citation:
Oestreich, James R. “Out with Berlioz, in with Ives.” The New York Times, September 7, 2003, AR80.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 2004
Complete Citation:
Oestreich, James R. “From Medieval Song to Ives, A Series of Spring Farewells. (The Arts/Cultural Desk).” The New York Times, May 19, 2004, E3.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Oja, Carol J.
Year: 2001
Complete Citation:
Oja, Carol J. Making Music Modern: New York in the 1920s. Oxford, United Kingdom: Oxford University Press, 2001.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Oliver, Michael
Year: 1997
Complete Citation:
Oliver, Michael. “Insight: The Father of World Music.” Classic CD (1997): 44-45.Source: Magazine
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Orga, Ates
Year: 1967
Complete Citation:
Orga, Ates. “Anglo-American.” Music and Musicians 16, no. 4 (December 1967): 46.Source: Journal
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Overmyer, Grace
Year: 1827
Complete Citation:
Overmyer, Grace. “Quarter -Tones and Less.” American Mercury- 12/46 (Octo-ber 1927): 207-210.Notes: An article dealing with infinite tunings (1/4, 1/8, 1/16 tones); cites concert of 1925 February 14 for the Franco-American Musical Society (music by Hans Barth and Ives; Barth and Sigmund Klein, pianos). States that Ives is “a New York business man and an enthusiastic musical amateur.”
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
P., J.
Year: 2012
Complete Citation:
P., J. “Charles Ives, Sonates Pour Violon Et Piano: (Deutsche Grammophon/Universal) Etrange Et Fascinant Parcours Que Celui De Charles Ives (1878 - 1954), Ce Compositeur Dont Le Génie s’Exprimait à Temps Perdu, Tandis Qu’Il Officiait, Officiellement, En Tant Qu’Agent d’Assurances.” Temps (Geneva, Switzerland), January 6, 2012.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
B. Recording Reviews
Page, Tim
Complete Citation:
Page, Tim. “Masur Leads A Concert Of ‘Originals.’” Newsday. May 31, 1994, 7.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
Year: 1987
Complete Citation:
Page, Tim. “Continuum in Tribute to Ives.” New York Times, February 1987, sec. C, 13.Source: Newspaper
XI. Reviews of Premieres, Significant Performances, and Recordings
A. Reviews and Announcements of Premieres and Significant Performances
