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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Hornsby, Bruce R.

Year: 1986
Complete Citation:
Hornsby, Bruce R. Every Little Kiss (1986); rock composition. Recording: RCA PCDI 5904 (CD 1986; cassette 1986; no notes) The Way It Is.
Notes:

Bruce Hornsby, lead vocals, piano, accordian, synthe-sizer, hammered dulcimer; and the Range (David Mansfield, gui-tar, mandolin, violin; George Marinelli, electric and acoustic gui-tars, vocals; Joe Puerta, bass, vocals; John Molo, drums, percus-sion). Begins with excerpt from beginning of "The Alcotts" move- ment of the Concord Sonata. Neither Concord nor Ives is identi-fied on the recording.

Source: Rock Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other

Howard, John Tasker

Year: 1942
Complete Citation:
Howard, John Tasker. This Modern Music: A Guide for the Bewildered Listener, 131-133, 179, 194. New York, NY: Crowell, 1942.
Notes:

Ives is treated super-ficially in a chapter on polytonality, with Psalm 67 used as an example Howard comments on the polyrhythms of “Washington's Birthday” and Ives's use of tone clusters.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Ivashkin, Alexander

Year: 2016
Complete Citation:
Ivashkin, Alexander. “Symbols, Metaphors and Irrationalities in Twentieth-Century Music.” In Facets of Russian Irrationalism between Art and Life, 415-432. Amsterdam, Netherlands: Rodopi, 2016.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Iwaschkin, Aleksandr

Year: 1987
Complete Citation:
Iwaschkin, Aleksandr. “Das Paradoxon des Traditionellen in der Musik von Charles Ives.” Kunst und Literaturrichtung 35 (1987): 812-837.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Jacobson, Robert

Year: 1973
Complete Citation:
Prf: 1973 January 17: New York; City Center; Alexander Horvath, violin; Howard Baer, piano.

Lar Lubovitch, choreographer. Three Essays (1974); ballet; American Ballet Theater.

Music: Orchestral Set No. 2.
Prf: 1974 January 15: New York; City Center.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Jensen, Jørgen I.

Year: 1969
Complete Citation:
Jensen, Jørgen I. “Charles Ives—En Musikalsk Modernist.” Dansk Musik Tidsskrift (1969): 13--19.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Johnson, Russell, I.

Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Jones, Chris

Year: 2014
Complete Citation:
Jones, Chris. “An Effective Twist on Following Your Dreams.” Chicago Tribune, May 21, 2014.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Karlovits, Bob

Year: 2013
Complete Citation:
Karlovits, Bob. “‘Charles Ives’ Showcases Strife, Music, Basketball.” McClatchy - Tribune Business News, November 14, 2013.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Keller, James M.

Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.
Notes:

This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Kerwin, Bud, choreographer

Year: 1974
Complete Citation:
Bud Kerwin, choreographer. The Subjective Man (1974); choreographic setting. Music: From the Swimmers', Like a Sick Eagle', Walt Whitman', The Cage', The Indians. Prf: 1974 October 20: Indianapolis; Clowes Memorial Hall, Butler University; Charles Ives Celebration Program; Dina Korta,
Cheryl Palonis. Gathering: A Choreographic Tribute to Charles Ives (1976). M.F.A.; Department of Ballet and Modern Dance; University of Utah.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Kisselgoff, Anna

Year: 1978
Complete Citation:
Kisselgoff, Anna. “City Ballet Offers ‘Calcium Light Night.’” The New York Times, January 21, 1978, 26.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1983
Complete Citation:
Kisselgoff, Anna. “Ballet: Martin’s ‘Calcium Light Night’: Review.” The New York Times, November 24, 1983.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
C. Other
Year: 1985
Complete Citation:
Kisselgoff, Anna. “Dance View: Peter Martins Turns to Drama in His New Ballet.” The New York Times (January 27, 1985): 2: 8.
Notes:

In giving an account of Martins as choreographer, the writer tells about “Calcium Light Night,” his “very first ballet in 1977--78,” which "demon- strated an interest in dramatic form" and which was his "most original ballet.”

Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Ballet: ‘Ives, Songs,’ by Jerome Robbins: Review.” The New York Times, February 6, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1988
Complete Citation:
Kisselgoff, Anna. “Dance View; ‘Ives, Songs’: A Rollicking, Exquisite Odyssey: Review.” The New York Times, February 14, 1988.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance