Image
Complete Citation:
Kisselgoff, Anna. “The Stage Turned into a Circus, with Tricycle.” New York Times. June 19, 1999, sec. B: 15.
Bibliography
Genres
Kisselgoff, Anna
Year: 1999
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 1999
Complete Citation:
Kisselgoff, Anna. “The Divergent Progeny of Granddaddy Ives.” The New York Times, June 18, 1999, sec. E, 28.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Year: 2000
Complete Citation:
Kisselgoff, Anna. “On Pulling Teeth, and ‘Degenerate Art’ Brought to Life.” The New York Times. January 8, 2000, sec. B, 17.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Kolodin, Irving
Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kostelanetz, Richard
Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kramer, Jonathan D.
Year: 1996
Complete Citation:
Kramer, Jonathan D. “Postmodern Concepts of Musical Time.” Indiana Theory Review 17, no. 2 (1996): 21-61.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Krull, Kathleen and Kathryn Hewitt
Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kühn, Clemens
Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
L., Barbara
Year: 2001
Complete Citation:
Barbara L. “Atlanta Ballet nearly Flawless: All Edition."Sarasota Herald-Tribune, 2001, October 2.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Levin, Monroe
Year: 1992
Complete Citation:
Levin, Monroe. “The Years 1900-1929: A Rugged Genius and a Profusion of Pop: Finding a New Voice.” In Clues to American Music, 20-21. Washington D.C.: Starrhill Press, 1992.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Losh, Seibert
Year: 1979
Complete Citation:
Losh, Seibert. “Ivesiana: Department of Quarter-Tones and Sex.” Newsletter - Institute for Studies in American Music 9, no. 2 (Spring 1980): 8.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Lubovitch, Lar, chroeographer
Complete Citation:
Lar Lubovitch, choreographer. Scherzo for Massah Jack (1973); ballet; American Ballet Theater.Notes:
Music: Trio for violin, cello, and piano (Adagio and Scherzo), includ-ing "My Old Kentucky Home."
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Lucier, Alvin
Year: 2012
Complete Citation:
Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Mackrell, Judith
Year: 2000
Complete Citation:
Mackrell, Judith. “Witching Hour: Black Magic and Slapstick Are an Unlikely Mix for a Night of American-Themed Ballet.” The Guardian, April 15, 2000, 5.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance
Mainieri, Mike
Complete Citation:
Mainieri, Mike. “In the Universe of Ives.” Jazz composition. An American Diary.NYC Records, 6015, 1995, CD.
Notes:
Based on Universe Symphony concepts, quotes trumpet part for The Unanswered Question. <br>Joe Lovano, tenor and soprano saxophones, alto clarinet; Mike Maini- eri, xylophones, bass marimba, gongs, chimes, and midi vibes; Eddie Gomez, bass; Peter Erskine, drums, percussion. Notes by Howard Mandel.<br><br>
Source: Jazz Composition
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Majoros, David, compiler
Complete Citation:
Majoros, David, compiler. “Charles E. Ives: American Composer.” A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Performance in Appleton, WI; Lawrence University; Bradford, MA: Bradford College; Fulton, MO: William Woods University; Las Vegas, NV: University of Nevada-Notes:
Two acts: Act I (in baseball uniform with ball and bat); Act II (in vest, tweed jacket, hat, and cane); songs interspersed with recitation from Ives's writings. A Musical/Dramatic Portrait (ca. 1988); baritone and piano. Superior, WI: University of Wisconsin- Superior; David Majoros, baritone; Christine Sotomayor Lopez, piano.
XII. Interdisciplinary Performances with Ives’s Music
A. Theatre
A. Theatre
Martin, J.
Year: 1954
Complete Citation:
Martin, John. “Ballet Presents ‘Ivesiana’ Suite: Balanchine's Setting of Pieces by Ives Bows at Center - Repetitions also seen.” The New York Times, September 15, 1954, 38.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Martin, John
Year: 1955
Complete Citation:
Martin, John. “Ballet: A Magnificent ‘Weirdie’— Troupe at City Center Dances ‘Ivesiana’—New Section Added to Balanchine Work.” The New York Times, March 7, 1955, 22.Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
D. Reviews
Martin, Michael Rheta
Year: 1965
Complete Citation:
Martin, Michael Rheta. The Arts: A Guide to Painting, Sculpture, Archi-tecture, Music and Theater. Indianapolis, IN: Bobbs--Merrill, 1965.Notes:
A para-graph with a sketch by Leo R. Summers (after a photograph by Frank Gerratana).
Source: Book
XII. Interdisciplinary Performances with Ives’s Music
C. Other
C. Other
Martins, Peter, choreographer
Year: 1978
Complete Citation:
Peter Martins, choreographer. Calcium Light Night (1977); ballet; New York City Ballet.Music: The See'r, The New River, Incantation-, At Sea, Ann Street; Gyp the Blood or Hearst! Which is Worst?-, Hallowe'en-, Calcium Light Night. Prf: 1977 November 15: Spokane, WA. 1978 January 19: New York.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
B. Dance