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Bibliography

Genres

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I. Ives as Author
II. Reference Materials
III. Book-Length Studies
IV. Individual Studies by Genre
V. General Music Studies
VI. Topical Studies
VII. Entries in Larger Volumes
VIII. Dissertations, Theses, and Baccalaureate Essays
IX. Festivals, Conferences, and Concert Series Dedicated to the Music of Charles Ives
X. Editing Practices and Articles Regarding Published Editions
XI. Reviews of Premieres, Significant Performances, and Recordings
(-) XII. Interdisciplinary Performances with Ives’s Music
XIII. Ives in Literature
XIV. Websites
XV. Television Broadcasts, Films, and Videocassettes
XVI. Photographs and Artwork
XVII. Radio Broadcasts

Terry, Walter

Year: 1955
Complete Citation:
Walter Terry. “Dance: New York City Ballet.” The New York Times, March 7, 1955, 8.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Thompson, Don

Year: 1970
Complete Citation:
Thompson, Don. “Universe in One Place: A Study of Charles Ives.” In The Yearbook of Discovery, 1970: The Best Creative Work From the Colleges of the United States and Canada, edited by J. Donald Adams, Whit Burnett, and Hallie Burnett. New York, NY: Four Winds Press, 1970.
Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Toncitch, Voya

Year: 1973
Complete Citation:
Toncitch, Voya. “Dodecaphonie et systemes de 24 et 31 tons.” Schweitzerische Musikzeitung Revue musicale suisse 113/5 (September-October 1973): 274-278.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Trischler, Joyce, choreographer

Year: 1980, 1981, 1984, 1987
Complete Citation:
Joyce Trischler, choreographer. Journey (1980); ballet; Trischler Dance Company.
Music included The Unanswered Question. Prf: 1980.
1981 November 20.
1984 December 13.
1987 May 6: New York; Joyce Theater.
1987 May 10: New York; Joyce Theater.
1991 July 17: Garden City, NY; Adelphi University, Olmstead Theater.
Source: Performance (ballet)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance

Wechsler, Bert

Year: 1993
Complete Citation:
Volume 1 and 2, Performance: 1993 October 7--10: New York; St. Mark's Church; Dance Studio. Review: Bert Wechsler. (1993 October 71).
Source: Pamphlet
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews

Wilder, Robert D.

Year: 1969
Complete Citation:
Wilder, Robert D. Twentieth--Century Music, 95-98. Brown Music Horizons Series. Dubuque, IA: Wm. C. Brown, 1969.
Notes:

Includes other passing refer-ences.

Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

Wilson, Richard

Year: 1996
Complete Citation:
Wilson, Richard. “Ives: American Experimentalism and Modernism.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 37-38. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.
Source: [Chapter in] Festival Publication
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles

no author listed

Complete Citation:
Other prf: Netherlands Ballet Orkest; Combustion Chamber in the Netherlands; Relach Ensemble in Philadelphia; Noamnesia in Chicago.
Source: Performance (dance)
XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
“Music: Central Park in the Dark; Hallowe’en; The Unanswered Ques-tion’, Scherzo: Over the Pavements’, “In the Inn”; “In the Night.” Comment: George Balanchine. “Ivesiana, G. Balanchine.”” Center: A Magazine for the Performing Arts 1/5 (August--Septem-ber 1954).



Prf: 1954 September 14: New York; New York Center of Music and Drama; Leon Barzin and Hugo Fiorato, conductors.
Source: Magazine
Reprints:

Reprint: George Balanchine and Francis Mason. Balanchine's Com- plete Stories of the Great Ballets. Garden City, NY: Double- day, 1977: 341--343.

XII. Interdisciplinary Performances with Ives’s Music
B. Dance
Complete Citation:
Review: Robert. Cue (1914). The piece is "marked by turbulence...and commands respect."
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Complete Citation:
Mandel, Howard.
“Review: Mark Tucker. “Behind the Beat.”” Institute for Studies in American Music Newsletter (Fall 1995) 25/1: 13.
Source: Newsletter
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1934
Complete Citation:
“Leader of Modem School.” Duluth News Tribune. August 12, 1934, 2.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1936
Complete Citation:
“Ives was a Path Breaker.” In 100 Years of Musical Progress in America. October 12, 1936. New York, NY: French Institute.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1962
Complete Citation:
“Evidence Points to Ives as First 12-Tone User.” The New York Times, December 1, 1962, 16.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1965
Complete Citation:
“San Francisco Ballet Sets Dances to Hindemith, Ives.” The Atlanta Journal and the Atlanta Constitution, March 14, 1965, 11D.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1965
Complete Citation:
“The Right ‘Wrong’ Notes of Charles E. Ives.” House Beautiful (Janu-ary 1965) 108/1: 116-117, 124--125.
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1968
Complete Citation:
“Which way contemporary music?” Cornell University Music Review 11 (1968): 3-13.
Source: Journal
Reprints:

“Which way contemporary music?” <i>Composer</i> (Spring 1982): 6-12.

VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1968
Complete Citation:
“Hartford Ballet Co. to Dance New Works.” The Hartford Courant, March 24, 1968, 23E.
Source: Newspaper
XII. Interdisciplinary Performances with Ives’s Music
D. Reviews
Year: 1974
Complete Citation:
“Ives the Innovator.” Time 104/19, November 4, 1974, 85, 87, 89-90.
Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
Year: 1976
Complete Citation:
“Charles Ives: Master of Strange Harmonies: Making Music.” South China Morning Post, May 21, 1976, 11.
Source: Newspaper
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles