Image
Complete Citation:
Jensen, Jørgen I. “Charles Ives—En Musikalsk Modernist.” Dansk Musik Tidsskrift (1969): 13--19.
Bibliography
Genres
Jensen, Jørgen I.
Year: 1969
Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Johnson, Russell, I.
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth- Century Expression.” Journal of Aesthet-ics and Art Criticism 28 (Spring 1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Johnson, Russell I.
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of Twentieth-Century Expression.” Journal of Aesthetics and Art Criticism 28 (1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Year: 1970
Complete Citation:
Johnson, Russell I. “A View of 20th-century Expression.” Journal of Aes-thetics and Art Criticism 28/3 (Spring 1970): 361-368.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Keller, James M.
Year: 2001
Complete Citation:
Keller, James M. “Search for the Modern: Early 20th- Century Mavericks.” In American Mavericks: Musical Visionaries, Pioneers, Iconoclasts, edited by Susan Key and Larry Rothe, 21-22. Berkeley, CA: University of California Press, 2001.Notes:
This book is a complement to the 2002 Festival of the same name presented by the San Francisco Symphony.
Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kitaj, R. B.
Complete Citation:
Kitaj, R.B. Drawing, 1975. Parnassus: Poetry in Review (Spring/Summer 1975): cover.Notes:
Based on a photograph by W. Eugene Smith.
Source: Drawing
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Kolodin, Irving
Year: 1967
Complete Citation:
Kolodin, Irving. “Are My Ears on Wrong?” Vogue 1967, p. 6-7, 23, 25.Source: Magazine
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kostelanetz, Richard
Year: 1989
Complete Citation:
Kostelanetz, Richard. “Charles Ives (1967).” In On innovative music(Ian)s. New York, NY: Limelight Editions, 1989.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kramer, Jonathan D.
Year: 1996
Complete Citation:
Kramer, Jonathan D. “Postmodern Concepts of Musical Time.” Indiana Theory Review 17, no. 2 (1996): 21-61.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kramer, Norman
Year: 1974
Complete Citation:
Kramer, Norman. “The First Danbury Historical Poster,” print. Danbury: The Custom Framer (1974).Notes:
A limited edition of 250 silk-screen prints, hand-colored and signed by the artist. Includes a section on Ives in the "Eminent Persons" portion of the poster.
Source: Poster
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Krull, Kathleen and Kathryn Hewitt
Year: 2012
Complete Citation:
Krull, Kathleen and Kathryn Hewitt. “He stretched our ears: Charles Ives.” In Lives of the musicians: good times, bad times (and what the neighbors thought). Boston, MA: Houghton Mifflin Harcourt, 2017.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Kueffer, Bruce
Year: 2001
Complete Citation:
Kueffer, Bruce. Bronze bust. San Francisco: Davies Symphony Hall. In American Mavericks, edited by Susan Key and Larry Rothe, 4 [photograph]. San Francisco/Berkeley: San Francisco Symphony in co-operation with the University of California Press, 2001.Source: Sculpture
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Kühn, Clemens
Year: 2018
Complete Citation:
Kühn, Clemens. Abenteuer Musik. Kassel, Germany: Bärenreiter-Verlag Karl Vötterle GmbH & Co. KG, 2018.VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Levine, David
Year: 1994
Complete Citation:
Levine, David. “Charles Ives,” black and white intaglio etching, 1994. American Academy of Arts and Letters portfolio, 1998.Notes:
Printed by Stephen Sholinsky.
Source: Etching
XVI. Photographs and Artwork
B. Artwork
B. Artwork
Levin, Monroe
Year: 1992
Complete Citation:
Levin, Monroe. “The Years 1900-1929: A Rugged Genius and a Profusion of Pop: Finding a New Voice.” In Clues to American Music, 20-21. Washington D.C.: Starrhill Press, 1992.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Losh, Seibert
Year: 1979
Complete Citation:
Losh, Seibert. “Ivesiana: Department of Quarter-Tones and Sex.” Newsletter - Institute for Studies in American Music 9, no. 2 (Spring 1980): 8.Source: Journal
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
Lucier, Alvin
Year: 2012
Complete Citation:
Lucier, Alvin. “Music 109: notes on experimental music.” Middletown, Connecticut: Wesleyan University Press, 2012.Source: Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
[Maloy?], Carl
Year: 1988
Complete Citation:
Maloy, Carl. Sketch, 1988. Cover of an Ives brochure by BMI.Source: Sketch
XVI. Photographs and Artwork
B. Artwork
B. Artwork
McHard, James L.
Year: 2006
Complete Citation:
McHard, James L. Charles Ives. In The Future of Modern Music: A Vibrant New Modernism in Music for the Future. Livonia, MI: Iconic Press, 2006.Source: Chapter in Book
VI. Topical Studies
H. Ives, 20th Century Music, and Experimental Styles
H. Ives, 20th Century Music, and Experimental Styles
McNeely, Tom
Year: 1997
Complete Citation:
McNeely, Tom. Drawing, watercolor on watercolor paper (17 x 23.375 inches), 1997. United States Post Office, 1997.Notes:
Originally appeared on a first- day cover of the United States postage stamp by Fleetwood.
Source: Watercolor
XVI. Photographs and Artwork
B. Artwork
B. Artwork