Image
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.
Bibliography
Genres
Kolter, Horst
Year: 1972
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Kramer, Lawrence
Year: 1984
Complete Citation:
Kramer, Lawrence. “A Complete-ly New Set of Objects.” In Music and Poetry: The Nineteenth Century and After. Berkeley, CA: University of California Press, 1984.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Mellers, Wilfrid
Year: 1939
Complete Citation:
Mellers, Wilfrid. “Music in the Melting Pot: Charles Ives and the Music of the Americas.” Scrutiny 7 (March 1939): 390-403.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Milligan, Terry G.
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Panel Discussion
Year: 1996
Complete Citation:
“Charles Ives and Turn of the Century.” In Charles Ives and His World Festival, edited by J. Peter Burkholder, 49-52. Annandale-on-Hudson, New York; Bard College, August 9-11, 16-18, 1996.Source: [Chapter in] Festival Publication
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Patterson, Frank
Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Perrin, Peter
Year: 1975
Complete Citation:
Perrin, Peter. “The Composer as Historian.” Arts Canada 198-199 (June 1975): 58.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Porter, David
Year: 2011
Complete Citation:
Porter, David. “On the Divide: A Classicist/Musician Who Refused to Grow Up.” The Classical World, vol. 104, no. 4 (2011): 475-481.Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Rathert, Wolfgang
Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Riedel, Johannes
Year: 1970
Complete Citation:
Johannes Riedel. “Ives and Church Music.” Lecture, Ives at Minnesota, University of Minnesota, Minneapolis, Minnesota, May 15, 1970.Source: Lecture
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Rossi, Nick and Sadie Rafferty
Year: 1981
Complete Citation:
Rossi, Nick and Sadie Rafferty. “Music of the United States.” In Music through the centuries. University Press of America: Washington, D.C. 1981.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Salis, Giannis
Year: 2005
Complete Citation:
Salis, Giannis. “Tre variazioni sul Novecento musicale americano.” In Melologhi e Ritorni alla Vita. Rimini, Italy: Raffaelli Editore, 2005.Source: Online article
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Schmidt, Christian Martin
Year: 1977
Complete Citation:
Schmidt, Christian Martin. Brennpunkte der Neuen Musik: historisch-systematisches zu wesentlichen Aspekten. Cologne, Germany: Musikverlag Gerig, 1977.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Stefan, Paul
Year: 1932
Complete Citation:
Stefan, Paul. “Vienna Revisits the Depression.” Modern Music 9/3 (March-April 1932): 127-130.Notes:
Mentions performance of some of Ives’s songs in a Vienna concert of the Pan American Association of Composers (February 21, 1932: Anton Webern, conductor). Also sponsored by the International Society for New Music.
Source: Journal
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Stevenson, Robert M.
Year: 1966
Complete Citation:
Stevenson, Robert M. Protestant Church Music in America: A Short Survey of Man and Movements from 1564 to the Present, 118-119, 126, 129. New York, NY: W.W. Norton, 1966.Source: Book
VI. Topical Studies
K. Stylistic Influences on Ives
K. Stylistic Influences on Ives
Swados, Elizabeth
Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.Notes:
Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.
Source: Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Ward, Charles
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
no author listed
Year: 1955
Complete Citation:
“Notes of the Day (Value of Technical Skill in Composing Music).” Monthly Musical Record 85/968 (July-August): 141-144.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Year: 2004
Complete Citation:
“Die Autorin und die Autoren.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 207-211. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process