Image
Complete Citation:
Budiansky, Stephen. “Ives, Diabetes, and His ‘Exhausted Vein’ of Composition.” American Music 31.1 (Spring 2013): 1-25.
Bibliography
Genres
Budiansky, Stephen
Year: 2013
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Burkholder, J. Peter
Year: 1998
Complete Citation:
Burkholder, J. Peter. “What Yale Meant to Ives & What Ives Means for Yale [Keynote Address].” Paper presented at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Conference paper
Reprints:
Burkholder, J. Peter. “What Yale Meant to Ives & What Ives Means for Yale.” <i>College Music Symposium</i> 39 (1999): 27--42.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Year: 1999
Complete Citation:
Burkholder, J. Peter. “Ives and Yale: The Enduring Influence of a College Experience.” College Music Symposium 39 (1999): 27-42.Source: Journal
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Carlson, Michael
Year: 1996
Complete Citation:
Carlson, Michael. “The Discomposing Composer.” Specta-tor 277/8781 (November 2, 1996): 44.Notes:
“[H]is marvelous 'From Hanover Square North' ranks with Nielsen's Fifth as the most moving reactions to the Great War.”
Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Cave II, Lawrence Harold
Year: 1984
Complete Citation:
Cave II, Lawrence Harold. “Abstract: The Role of the Organ in Ives’ Develop-ment as Composer.” Sonneck Society for American Music Bulletin 10 (Fall 1984): 62.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Deming, Clarence
Year: 1915
Complete Citation:
Deming, Clarence. Yale Yesterdays. New Haven, CT: Yale University Press, 1915.Source: Book
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Denahan, Donal
Year: 1982
Complete Citation:
Henahan, Donal. “When the Music Ceases to Sound: Ego, Morale or Changing Times Can Cause Composers to Quit at Their Peak.” Kansas City Star. April 25, sec. K, 10.Notes:
“In 1916 he finished Symphony No. 4, and that was it: for the next 40 years, until his death in 1954 at the age of 79, Ives sat silent in Con-necticut.”
Source: Newspaper
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Heister, Hanns-Werner
Year: 2004
Complete Citation:
Heister, Hanns-Werner. “Mimesis, Memoria, Montage: Uber einige Prinzipien des Komponisten Ives.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 163-178. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Isham, Howard
Year: 1973
Complete Citation:
Isham, Howard. “The Musical Thinking of Charles Ives.” Journal of Aesthetics and Art Criticism 31 (1973): 395-404.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Kolter, Horst
Year: 1972
Complete Citation:
Koller, Horst. “Zur Kompositionstechnik von Charles Edward Ives.” Neue Zeitschrift für Musik 133 (1972): 559-567.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Mellers, Wilfrid H.
Year: 1964
Complete Citation:
Mellers, Wilfrid H. “Jottings of Charles Ives” [Appendix I]. In Music in a New Found Land: Themes and Developments in the History of American Music, 441-443. London, United Kingdom: Barrie and Rockliff, 1964.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Milligan, Terry G.
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Poverty Flat (1898-1908).” Journal of Band Research 20/1 (Fall 1984): 30-36.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Year: 1984
Complete Citation:
Milligan, Terry G. “Charles Ives: Musical Activity at Yale.” Journal of Band Research 19/2 (Spring 1984): 39-50.Source: Journal
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Morgan, Robert P., Jan Swafford, Gayle Sherwood, Tom C. Owens.
Year: 1998
Complete Citation:
Panel: Robert P. Morgan (chair), Jan Swafford, Gayle Sherwood, Tom C. Owens. Panel at Ives & Yale: A Celebration of the Centenary of Charles Ives’s Gradua-tion from Yale. Yale University, New Haven, Connecticut, April 3-5, 1998.Source: Festival Panel
Reprints:
<i>College Music Symposium</i> 39 (1999) 39: 27--42.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Noss, Luther
Year: 1984
Complete Citation:
Noss, Luther. A History of the Yale School of Music, 1855--1970. New Haven, CT: Yale School of Music, 1984.Source: Book
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Patterson, Frank
Year: 1922
Complete Citation:
Patterson, Frank. “The Perfect Modernist: A Little Primer of Basic Principles (Twelfth Installment).” Musical Courier, February 16, 1922, 7.Source: Magazine/Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Price, Jonathan
Year: 1968
Complete Citation:
Price, Jonathan. “The Rough Way up the Mountain.” Yale Alumni Magazine (April 1968): 28-37.Source: Journal
Reprints:
Price, Jonathan. “The Rough Way up the Mountain.” <i>Music Educator's Journal</i> 55/2 (October 1968): 38-45.
VI. Topical Studies
O. Ives and Yale
O. Ives and Yale
Rathert, Wolfgang
Year: 1997
Complete Citation:
Rathert, Wolfgang. “The idea of potentiality in the music of Charles Ives.” In Ives Studies, edited by Philip Lambert, 105-132. Cambridge, United Kingdom: Cambridge University Press, 1997.Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Swados, Elizabeth
Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.Notes:
Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.
Source: Book
VI. Topical Studies
I. Compositional Process
I. Compositional Process
Ward, Charles
Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.Source: Journal
VI. Topical Studies
I. Compositional Process
I. Compositional Process