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Bibliography

Sanders, Donald

Year: 1976
Complete Citation:
Sanders, Donald. “Plaques Mark Homes of Ives, Ellington.” Boston Globe, August 17, 1976, 20.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Schuman, William

Year: 1940-1941
Complete Citation:
Schuman, William. “A Brief Study of Music Organizations Founded in the Interest of the Living Composer.” Twice a Year (Fall-Winter 1940 and Spring-Summer 1941) 5-6: 361--367.
Notes:

A brief but worthwhile sur-vey, especially of “The League of Composers” (365): “The Arrow Music Press is a cooperative venture. The composer pays all, or a portion of, the expense of publishing his compositions and in return receives all but a small fraction of the return. A very interesting catalogue has al-ready been issued by the press, which appears to be increasing its acti-vities.” With the Arrow Press imprint and its subsidiary Cos Cob Press, the following works of Ives were published: Sonata [No. 4] for violin and piano; Serenity; Sixty--Seventh Psalm; Charlie Rutlage; Evening; The Greatest Man', Walking; Seven Songs’, Third Symphony (“The Camp Meeting”) [CI 87); Sonata No. 2, “Concord, Mass., 1840--1860,” for piano; and Where the Eagle (in the Cos Cob Song Volume). The Cos Cob Press was later absorbed by the Arrow Music Press that in turn was merged into Associated Music Publishers. Ives and Walter Piston had the most titles in this catalogue. The article re-prints “Prologue” from Essays Before a Sonata.

Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy

Sherman, R.

Year: 1981
Complete Citation:
Sherman, R. “Ives Center Draws Young Composers.” The New York Times, July 26, 1981, CN16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy

Swados, Elizabeth

Year: 1988
Complete Citation:
Swados, Elizabeth. Listening Out Loud: Becoming a Composer, 23, 40-42, 102. New York, NY: Harper and Row, 1988.
Notes:

Several mentions of Ives, especially regarding The Unanswered Question that her teacher, Henry Brant, introduced to her.

Source: Book
VI. Topical Studies
I. Compositional Process

Ward, Charles

Year: 1974
Complete Citation:
Ward, Charles. “Charles Ives’s Concept of Music.” Current Musicology, no. 18 (1974): 114-19.
Source: Journal
VI. Topical Studies
I. Compositional Process

no author listed

Year: 1955
Complete Citation:
“Notes of the Day (Value of Technical Skill in Composing Music).” Monthly Musical Record 85/968 (July-August): 141-144.
Source: Journal
VI. Topical Studies
I. Compositional Process
Year: 1965
Complete Citation:
“Gets Grant.” New York Amsterdam News, February 27, 1965, 16.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1966
Complete Citation:
“Move Composer's Home.” The Hartford Courant, September 20, 1966, 33D.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1978
Complete Citation:
“The Charles Ives Society - Past, Present, and Future.” Newsletter - Institute for Studies in American Music 7, no. 2 (Spring 1978): 1, 12.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1980
Complete Citation:
“In the Name of Ives.” Newsletter - Institute for Studies in American Music IX, no. 2 (Spring 1980): 2.
Source: Newsletter
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1985
Complete Citation:
“Copyright Dilemma of Inverted Sonata; Charles Ives Case Against Hungarian Composer.” The Times, August 20, 1985.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 1998
Complete Citation:
“Awards Roundup.” Symphony, Vol. 49, No. 4 (1998): 32.
Source: Magazine
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2004
Complete Citation:
“The Charles Ives Center for the Arts.” Fairfield County Business Journal, vol. 43, no. 29 (2004): 30.
Source: Journal
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2004
Complete Citation:
“Die Autorin und die Autoren.” In Charles Ives 1874-1954: Amerikanischer Pionier der Neuen Musik, edited by Hanns-Werner Heister and Werner Kremp, 207-211. Atlantische Texte, Vol. 23. Trier, Germany: Wissenschaftlicher Verlag Trier, 2004.
Source: Chapter in Book
VI. Topical Studies
I. Compositional Process
Year: 2012
Complete Citation:
“Preserving a Composer’s Homestead; Fans of Charles Edward Ives, One of the First Famous Classical Composers in the U.S., Want to Buy the Connecticut House Where He Worked and Transform it into a Musical Retreat.” The Wall Street Journal, August 30.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy
Year: 2012
Complete Citation:
“Sale of Ives Home Ends on Sad Note for Fans.” Dow Jones Institutional News, September 17, 2012.
Source: Newspaper
VI. Topical Studies
U. Institutions and Ives’ Legacy